Danh sách những phim có doanh thu cao nhất

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Dưới đây là danh sách các bộ phim ăn khách nhất của điện ảnh Hoa Kỳ.

Phim ăn khách nhất[sửa | sửa mã nguồn]

Danh sách này tập hợp các phim có doanh thu cao nhất trong lịch sử điện ảnh Hoa Kỳ theo nguồn của Box Office Mojo[1]Internet Movie Database (IMDb).[2] Doanh thu ở đây chỉ tính số tiền bán vé thu được từ các rạp phim (box office), không kể tới các hình thức lợi nhuận khác (cho thuê băng đĩa, bản quyền truyền hình,...). Doanh thu được tính theo đơn vị USD và chưa tính tới lạm phát. Sự lạm phát đồng USD ảnh hưởng lớn tới con số doanh thu thực tế của một bộ phim, ví dụ một phim phát hành tại Hoa Kỳ năm 1910 có vé giá 0,07 USD thì vào năm 2006 giá vé tương ứng đã tính tới lạm phát của nó phải là 6,58 USD, gấp gần 100 lần giá vé gốc.[3]

Tính cho hết năm tháng 8 năm 2014 đã có 19 bộ phim có doanh thu vượt quá 1 tỷ USD, đó là Titanic, Chiến tranh giữa các Vì sao I: Hiểm họa của bóng ma (Star Wars Episode I: The Phantom Menace), Chúa tể của những Chiếc nhẫn: Sự trở lại của Nhà vua (The Lord of the Rings: The Return of the King), Cướp biển vùng Caribe: Chiếc rương tử thần (Pirates of the Caribbean: Dead Man's Chest), Hiệp sĩ bóng đêm (The Dark Knight), Avatar, Alice ở Xứ sở thần tiên (Alice in Wonderland), Câu chuyện đồ chơi 3 (Toy Story 3), Cướp biển vùng Caribe: Suối nguồn tuổi trẻ (Pirates of the Caribbean: On Stranger Tides), Robot đại chiến: Bóng tối của Mặt Trăng (Transformers: Dark of the Moon) , Harry Potter và Bảo bối Tử thần - Phần 2 (Harry Potter and the Deathly Hallows – Part 2), The Avengers, Frozen, Skyfall, The Dark Knight Ríses, Transformers: Age of Extinction film currently playingThe Hobbit: An Unexpected Journey. Năm có nhiều phim ăn khách nhất là 2013 với 6 phim, theo sau là năm 2012 với 5 phim. Có 70% số phim trong danh sách được phát hành sau năm 2000 và không có phim nào phát hành trước năm 1977 lọt vào danh sách. Tuy vậy theo Box Office Mojo, Sách Kỷ lục Guinness và tạp chí Entertainment Weekly thì bộ phim ăn khách nhất trong lịch sử điện ảnh Hoa Kỳ (có tính đến lạm phát) vẫn là Cuốn theo chiều gió (Gone With The Wind) được phát hành năm 1939.

Những phim nằm trong ô màu xanh là những phim đang được công chiếu tại các rạp trên toàn thế giới (tháng 4 năm 2015).

Phim có doanh thu cao nhất[4]
Thứ tự Vị trí
cao nhất
Tên Doanh thu Năm Nguồn
1 1 Avatar $2,787,965,087 2009 [# 1][# 2]
2 1 Titanic $2,186,772,302 1997 [# 3][# 4]
3 3 The Avengers $1,518,594,910 2012 [# 5][# 6]
4 3 Harry Potter and the Deathly Hallows – Part 2 $1,341,511,219 2011 [# 7][# 8]
5 5 Frozen $1.279.852.693 2013 [# 9][# 10]
6 6 Fast & Furious 7 film currently playing $1,223,276,765 2015 [# 11]
7 5 Iron Man 3 $1,215,439,994 2013 [# 12][# 13]
8 4 Transformers: Dark of the Moon $1,123,794,079 2011 [# 14][# 8]
9 2 The Lord of the Rings: The Return of the King $1,119,929,521 2003 [# 15][# 16]
10 7 Skyfall $1,108,561,013 2012 [# 17][# 18]
11 10 Transformers: Age of Extinction $1,091,405,097 2014 [# 19][# 20]
12 7 The Dark Knight Rises $1,084,439,099 2012 [# 21][# 22]
13 3 Pirates of the Caribbean: Dead Man's Chest $1,066,179,725 2006 [# 23][# 24]
14 5 Toy Story 3 $1,063,171,911 2010 [# 25][# 26]
15 6 Pirates of the Caribbean: On Stranger Tides $1,045,713,802 2011 [# 27][# 28]
16 1 Jurassic Park $1.029.939.903 1993 [# 29][# 30]
17 2 Star Wars Episode I: The Phantom Menace $1,027,044,677 1999 [# 31][# 4]
18 5 Alice in Wonderland $1,025,467,110 2010 [# 32][# 33]
19 14 The Hobbit: An Unexpected Journey $1,017,003,568 2012 [# 34][# 35]
20 4 The Dark Knight $1,004,558,444 2008 [# 36][# 37]
21 2 The Lion King $987,483,777 1994 [# 38][# 30]
22 2 Harry Potter and the Philosopher's Stone $974,755,371 2001 [# 39][# 40]
23 20 Despicable Me 2 $970,761,885 2013 [# 41][# 42]
24 5 Pirates of the Caribbean: At World's End $963,420,425 2007 [# 43][# 44]
25 24 The Hobbit: The Desolation of Smaug $960,366,855 2013 [# 45][# 46]
26 10 Harry Potter and the Deathly Hallows – Part 1 $960,283,305 2010 [# 47][# 48]
27 26 The Hobbit: The Battle of the Five Armies $955,119,788 2014 [# 49][# 50]
28 6 Harry Potter and the Order of the Phoenix $939,885,929 2007 [# 51][# 44]
29 9 Finding Nemo $936,743,261 2003 [# 52][# 16]
30 8 Harry Potter and the Half-Blood Prince $934,416,487 2009 [# 53][# 54]
31 5 The Lord of the Rings: The Two Towers $926,047,111 2002 [# 55][# 56]
32 6 Shrek 2 $919,838,758 2004 [# 57][# 58]
33 8 Harry Potter and the Goblet of Fire $896,911,078 2005 [# 59][# 60]
34 10 Spider-Man 3 $890,871,626 2007 [# 61][# 62]
35 15 Ice Age: Dawn of the Dinosaurs $886,686,817 2009 [# 63][# 64]
36 6 Harry Potter and the Chamber of Secrets $878,979,634 2002 [# 65][# 66]
37 29 Ice Age: Continental Drift $877,244,782 2012 [# 67][# 68]
38 5 The Lord of the Rings: The Fellowship of the Ring $871,530,324 2001 [# 69][# 70]
39 34 The Hunger Games: Catching Fire $864,912,963 2013 [# 71][# 72]
40 11 Star Wars Episode III: Revenge of the Sith $848,754,768 2005 [# 73][# 74]
41 19 Transformers: Revenge of the Fallen $836,303,693 2009 [# 75][# 76]
42 33 The Twilight Saga: Breaking Dawn – Part 2 $829,685,377 2012 [# 77][# 78]
43 24 Inception $825,532,764 2010 [# 79][# 80]
44 7 Spider-Man $821,708,551 2002 [# 81][# 82]
45 2 Independence Day $817,400,891 1996 [# 83][# 84]
46 19 Shrek the Third $798,958,162 2007 [# 85][# 82]
47 14 Harry Potter and the Prisoner of Azkaban $796,688,549 2004 [# 86][# 87]
48 1 E.T. the Extra-Terrestrial $792,910,554 1982 [# 88][# 89]
49 31 2012 $791.217.826 2009 [# 90][# 91]
50 44 Fast & Furious 6 $788,679,850 2013 [# 92][# 93]

Phim ăn khách nhất (đã tính lạm phát)[sửa | sửa mã nguồn]

Những phim nằm trong ô màu xanh là những phim đang được công chiếu tại các rạp trên toàn thế giới (20 tháng 4 năm 2012).

Phim ăn khách nhất đã tính đến lạm phát[5]
Xếp hạng Tên phim Doanh thu toàn cầu (chưa điều chỉnh) Doanh thu toàn cầu (đã điều chỉnh) Năm phát hành
1 Cuốn theo chiều gió
Gone With The Wind
$400.176.459 $3.301.400.000 1939
2 Avatar $2.782.275.172 $2.782.300.000 2009
3 Chiến tranh giữa các Vì sao IV: Niềm hy vọng mới
Star Wars Episode IV: A New Hope
$775.398.007 $2.710.800.000 1977
4 Titanic $1.843.201.268 $2.413.800.000 1997
5 Giai điệu hạnh phúc
The Sound of Music
$286.214.286 $2.269.800.000 1965
6 E.T. Người ngoài Hành tinh
E.T. the Extra-Terrestrial
$792.910.554 $2.216.800.000 1982
7 Mười điều răn
The Ten Commandments
$80.000.000 $2.098.600.000 1956
8 Bác sĩ Zhivago
Doctor Zhivago
$111.721.910 $1.988.600.000 1965
9 Hàm cá mập
Jaws
$470.653.000 $1.945.100.000 1975
10 Nàng Bạch Tuyết và Bảy Chú Lùn
Snow White and the Seven Dwarfs
$371.316.184 $1.746.100.000 1937

Phim ăn khách nhất (theo năm)[sửa | sửa mã nguồn]

Dưới đây là danh sách phim ăn khách nhất của điện ảnh Hoa Kỳ tính theo từng năm kể từ năm 1918.[6][7] Với các phim phát hành trước năm 1977, doanh thu là tổng lợi nhuận từ tất cả các lần phát hành.

Những phim nằm trong ô màu xanh là những phim đang được công chiếu tại các rạp trên toàn thế giới (tháng 4 năm 2015).

Phim ăn khách nhất theo năm phát hành[8][9][10]
Năm Tên Doanh thu Kinh phí Nguồn
1915 The Birth of a Nation &0000000050000000.00000050.000.000–&0000000100000000.000000100.000.000
&0000000020000000.00000020.000.000+R (&0000000005200000.0000005.200.000)R
&0000000000110000.000000110.000 [# 94][# 95][# 96]
1916 Intolerance &0000000001000000.0000001.000.000*R IN &0000000000489653.000000489.653 [# 97][# 98]
1917 Cleopatra &0000000000500000.000000500.000*R &0000000000300000.000000300.000 [# 97]
1918 Mickey &0000000008000000.0000008.000.000 &0000000000250000.000000250.000 [# 99]
1919 The Miracle Man &0000000003000000.0000003.000.000R &0000000000120000.000000120.000 [# 100]
1920 Way Down East &0000000005000000.0000005.000.000R (&0000000004000000.0000004.000.000)R &0000000000800000.000000800.000 [# 101][# 102]
1921 The Four Horsemen of the Apocalypse &0000000005000000.0000005.000.000R (&0000000004000000.0000004.000.000)R &0000000000600000.000000600.000–&0000000000800000.000000800.000 [# 103]
1922 Robin Hood &0000000002500000.0000002.500.000R &0000000000930042.780000930.042,78 [# 104][# 105]
1923 The Covered Wagon &0000000005000000.0000005.000.000R &0000000000800000.000000800.000 [# 106][# 107]
1924 The Sea Hawk &0000000003000000.0000003.000.000R &0000000000700000.000000700.000 [# 106]
1925 The Big Parade &0000000018000000.00000018.000.000–&0000000022000000.00000022.000.000R
(&0000000006131000.0000006.131.000)R
&0000000000382000.000000382.000 [# 108][# 109][# 110]
Ben-Hur &0000000009386000.0000009.386.000R &0000000003967000.0000003.967.000 [# 111]
1926 For Heaven's Sake &0000000002600000.0000002.600.000R FH &0000000000150000.000000150.000 [# 101][# 112]
1927 Wings &0000000003600000.0000003.600.000R &0000000002000000.0000002.000.000 [# 101][# 113][# 114]
1928 The Singing Fool &0000000005900000.0000005.900.000R &0000000000388000.000000388.000 [# 114][# 115]
1929 The Broadway Melody &0000000004400000.0000004.400.000–&0000000004800000.0000004.800.000R &0000000000379000.000000379.000 [# 116][# 117]
Sunny Side Up &0000000003500000.0000003.500.000*R SS &0000000000600000.000000600.000 [# 118][# 119]
1930 All Quiet on the Western Front &0000000003000000.0000003.000.000R &0000000001250000.0000001.250.000 [# 101][# 120][# 121][# 122]
1931 Frankenstein &0000000012000000.00000012.000.000R (&0000000001400000.0000001.400.000)R &0000000000250000.000000250.000 [# 123][# 124]
City Lights &0000000005000000.0000005.000.000R &0000000001607351.0000001.607.351 [# 125]
1932 The Sign of the Cross &0000000002738993.0000002.738.993R &0000000000694065.000000694.065 [# 107][# 126][# 127][# 128]
1933 King Kong &0000000005347000.0000005.347.000R (&0000000001856000.0000001.856.000)R &Lỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràngLỗi biểu thức: Dấu phân cách “,” không rõ ràng.Lỗi biểu thức: Dấu phân cách “,” không rõ ràng672.255,75 [# 129]
I'm No Angel &0000000003250000.0000003.250.000+R &0000000000200000.000000200.000 [# 130][# 131]
Cavalcade &0000000003000000.0000003.000.000–&0000000004000000.0000004.000.000R &0000000001116000.0000001.116.000 [# 102][# 121]
She Done Him Wrong &0000000003000000.0000003.000.000+R &0000000000274076.000000274.076 [# 132][# 133][# 134]
1934 The Merry Widow &0000000002608000.0000002.608.000R &0000000001605000.0000001.605.000 [# 135][# 127]
It Happened One Night &0000000001000000.0000001.000.000R ON &0000000000325000.000000325.000 [# 136][# 137]
1935 Mutiny on the Bounty &0000000004460000.0000004.460.000R &0000000001905000.0000001.905.000 [# 127]
1936 San Francisco &0000000006044000.0000006.044.000+R (&0000000005273000.0000005.273.000)R &0000000001300000.0000001.300.000 [# 135][# 127]
1937 Snow White and the Seven Dwarfs &0000000418000000.000000418.000.000+S7 (&0000000008500000.0000008.500.000)R &0000000001488423.0000001.488.423 [# 138][# 139]
1938 You Can't Take It With You &0000000005000000.0000005.000.000R &0000000001200000.0000001.200.000 [# 140][# 141]
1939 Gone with the Wind &0000000390525192.000000390.525.192–&0000000400176459.000000400.176.459
(&0000000032000000.00000032.000.000)R GW
&0000000003900000.0000003.900.000–&0000000004250000.0000004.250.000 [# 142][# 143][# 144][# 145]
1940 Pinocchio &0000000087000862.00000087.000.862* (&0000000003500000.0000003.500.000)R &0000000002600000.0000002.600.000 [# 146][# 139][# 147]
Boom Town &0000000004600000.0000004.600.000*R &0000000002100000.0000002.100.000 [# 148][# 149]
1941 Sergeant York &0000000007800000.0000007.800.000R &0000000001600000.0000001.600.000 [# 150][# 151]
1942 Bambi &0000000267997843.000000267.997.843 (&0000000003449353.0000003.449.353)R &0000000001700000.0000001.700.000–&0000000002000000.0000002.000.000 [# 152][# 153][# 154]
Mrs. Miniver &0000000008878000.0000008.878.000R &0000000001344000.0000001.344.000 [# 155][# 156]
1943 For Whom the Bell Tolls &0000000011000000.00000011.000.000R &0000000002681298.0000002.681.298 [# 157][# 158][# 159]
This Is the Army &0000000009555586.4400009.555.586,44*R &0000000001400000.0000001.400.000 [# 160][# 161][# 159]
1944 Going My Way &0000000006500000.0000006.500.000*R &0000000001000000.0000001.000.000 [# 162][# 163][# 164]
1945 Mom and Dad &0000000080000000.00000080.000.000MD/&0000000022000000.00000022.000.000R &0000000000065000.00000065.000 [# 165]
The Bells of St. Mary's &0000000011200000.00000011.200.000R &0000000001600000.0000001.600.000 [# 166]
1946 Song of the South &0000000065000000.00000065.000.000* (&0000000003300000.0000003.300.000)R &0000000002125000.0000002.125.000 [# 167][# 168][# 169]
The Best Years of Our Lives &0000000014750000.00000014.750.000R &0000000002100000.0000002.100.000 [# 170][# 171]
Duel in the Sun &0000000010000000.00000010.000.000*R &0000000005255000.0000005.255.000 [# 162][# 172]
1947 Forever Amber &0000000008000000.0000008.000.000R &0000000006375000.0000006.375.000 [# 118][# 172]
Unconquered &0000000007500000.0000007.500.000R UN &0000000004200000.0000004.200.000 [# 173][# 174]
1948 Easter Parade &0000000005918134.0000005.918.134R &0000000002500000.0000002.500.000 [# 164][# 175]
The Red Shoes &0000000005000000.0000005.000.000*R &0000000002000000.000000&0000000000505581.000000505.581 (&0000000002000000.0000002.000.000) [# 162][# 176][# 177]
The Snake Pit &0000000004100000.0000004.100.000*R TBA [# 178]
1949 Samson and Delilah &0000000014209250.00000014.209.250R &0000000003097563.0000003.097.563 [# 179][# 107]
1950 Cinderella &0000000088000466.00000088.000.466*
(&0000000020000000.00000020.000.000/&0000000007800000.0000007.800.000R)
&0000000002200000.0000002.200.000 [# 180][# 181][# 182]
King Solomon's Mines &0000000010050000.00000010.050.000R &0000000002258000.0000002.258.000 [# 183]
1951 Quo Vadis &0000000021037000.00000021.037.000–&0000000026700000.00000026.700.000R &0000000007623000.0000007.623.000 [# 179][# 184][# 185]
1952 This Is Cinerama &0000000050000000.00000050.000.000CI &0000000001000000.0000001.000.000 [# 186][# 187]
The Greatest Show on Earth &0000000018350000.00000018.350.000R GS &0000000003873946.0000003.873.946 [# 188][# 189][# 107]
1953 Peter Pan &0000000145000000.000000145.000.000 &0000000003000000.0000003.000.000–&0000000004000000.0000004.000.000 [# 190]
The Robe &0000000025000000.00000025.000.000–&0000000026100000.00000026.100.000R &0000000004100000.0000004.100.000 [# 191][# 192][# 185]
1954 Rear Window &0000000036764580.00000036.764.580* (&0000000005300000.0000005.300.000)*R &0000000001000000.0000001.000.000 [# 193][# 184]
White Christmas &0000000026000050.00000026.000.050* (&0000000012000000.00000012.000.000)*R &0000000003800000.0000003.800.000 [# 194][# 195][# 196]
20,000 Leagues Under the Sea &0000000025000134.00000025.000.134*
(&0000000006800000.0000006.800.000–&0000000008000000.0000008.000.000)*R
&0000000004500000.0000004.500.000–&0000000009000000.0000009.000.000 [# 197][# 198][# 162][# 199]
1955 Lady and the Tramp &0000000088300200.00000088.300.200* (&0000000006500000.0000006.500.000)*R &0000000004000000.0000004.000.000 [# 200][# 162][# 201]
Cinerama Holiday &0000000021000000.00000021.000.000CI &0000000002000000.0000002.000.000 [# 202][# 203]
Mister Roberts &0000000009900000.0000009.900.000R &0000000002400000.0000002.400.000 [# 204]
1956 The Ten Commandments &0000000090066230.00000090.066.230R
(&0000000122700000.000000122.700.000/&0000000055200000.00000055.200.000R)
&0000000013270000.00000013.270.000 [# 107][# 205][# 206]
1957 The Bridge on the River Kwai &0000000030600000.00000030.600.000R &0000000002840000.0000002.840.000 [# 206]
1958 South Pacific &0000000030000000.00000030.000.000R &0000000005610000.0000005.610.000 [# 207]
1959 Ben-Hur &0000000090000000.00000090.000.000R
(&0000000146900000.000000146.900.000/&0000000066100000.00000066.100.000R)
&0000000015900000.00000015.900.000 [# 208][# 209]
1960 Swiss Family Robinson &0000000030000000.00000030.000.000R &0000000004000000.0000004.000.000 [# 210]
Spartacus &0000000060000000.00000060.000.000 (&0000000022105225.00000022.105.225)R &0000000010284014.00000010.284.014 [# 211][# 212]
Psycho &0000000050000000.00000050.000.000+ (&0000000014000000.00000014.000.000)R &0000000000800000.000000800.000 [# 213]
1961 One Hundred and One Dalmatians &0000000215880212.000000215.880.212 &0000000003600000.0000003.600.000–&0000000004000000.0000004.000.000 [# 214][# 215][# 154]
West Side Story &0000000105000000.000000105.000.000 (&0000000031800000.00000031.800.000)R &0000000007000000.0000007.000.000 [# 216][# 217]
1962 Lawrence of Arabia &0000000075500852.00000075.500.852 (&0000000069995385.00000069.995.385) &0000000013800000.00000013.800.000 [# 218][# 219]
How the West Was Won &0000000035000000.00000035.000.000R &0000000014483000.00000014.483.000 [# 220]
The Longest Day &0000000033200000.00000033.200.000R &0000000008600000.0000008.600.000 [# 217][# 219]
1963 Cleopatra &0000000040300000.00000040.300.000R &0000000031115000.00000031.115.000 [# 217][# 219]
From Russia with Love &0000000078900000.00000078.900.000/&0000000029400000.00000029.400.000R
(&0000000012500000.00000012.500.000)R
&0000000002000000.0000002.000.000 [# 221][# 222][# 223]
1964 My Fair Lady &0000000055000000.00000055.000.000R &0000000017000000.00000017.000.000 [# 224]
Goldfinger &0000000124900000.000000124.900.000 (&0000000046000000.00000046.000.000)R &0000000003000000.0000003.000.000 [# 221][# 223]
Mary Poppins &0000000044000000.00000044.000.000–&0000000050000000.00000050.000.000R &0000000005200000.0000005.200.000 [# 225][# 224]
1965 The Sound of Music &0000000286214076.000000286.214.076 (&0000000114600000.000000114.600.000)R &0000000008000000.0000008.000.000 [# 226][# 217]
1966 The Bible: In the Beginning &0000000025300000.00000025.300.000R &0000000018000000.00000018.000.000 [# 212]
Hawaii &0000000034562222.00000034.562.222* (&0000000015600000.00000015.600.000)*R &0000000015000000.00000015.000.000 [# 227][# 162]
Who's Afraid of Virginia Woolf? &0000000028000089.00000028.000.089* (&0000000014500000.00000014.500.000)*R &0000000007613000.0000007.613.000 [# 228][# 162][# 229]
1967 The Jungle Book &0000000170800000.000000170.800.000–&0000000199475744.000000199.475.744 &0000000003900000.0000003.900.000–&0000000004000000.0000004.000.000 [# 230][# 231][# 154]
The Graduate &0000000085000000.00000085.000.000R &0000000003100000.0000003.100.000 [# 232][# 233]
1968 2001: A Space Odyssey &0000000138000000.000000138.000.000–&0000000190000000.000000190.000.000
(&0000000021900000.00000021.900.000)R
&0000000010300000.00000010.300.000 [# 234][# 235][# 217]
Funny Girl &0000000080000000.00000080.000.000–&0000000100000000.000000100.000.000 &0000000008800000.0000008.800.000 [# 236][# 237]
1969 Butch Cassidy and the Sundance Kid &0000000152308525.000000152.308.525 (&0000000037100000.00000037.100.000)R &0000000006600000.0000006.600.000 [# 238][# 217][# 233]
1970 Love Story &0000000080000000.00000080.000.000R &0000000002260000.0000002.260.000 [# 239][# 240]
Airport &0000000075000000.00000075.000.000R &0000000010000000.00000010.000.000 [# 241][# 242]
1971 The French Connection &0000000075000000.00000075.000.000R &0000000003300000.0000003.300.000 [# 118]
Fiddler on the Roof &0000000049400000.00000049.400.000R
(&0000000100000000.000000100.000.000/&0000000045100000.00000045.100.000R)
&0000000009000000.0000009.000.000 [# 243][# 244]
Diamonds Are Forever &0000000116000000.000000116.000.000 (&0000000045700000.00000045.700.000)R &0000000007200000.0000007.200.000 [# 221][# 222]
1972 The Godfather &0000000245066411.000000245.066.411–&0000000286000000.000000286.000.000
(&0000000127600000.000000127.600.000–&0000000142000000.000000142.000.000)R
&0000000006200000.0000006.200.000 [# 245][# 244][# 246][# 247]
1973 The Exorcist &0000000413071011.000000413.071.011 (&0000000110000000.000000110.000.000)R &0000000010000000.00000010.000.000 [# 248][# 249]
The Sting &0000000115000000.000000115.000.000R &0000000005500000.0000005.500.000 [# 250][# 251]
1974 The Towering Inferno &0000000088650000.00000088.650.000R &0000000015000000.00000015.000.000 [# 252]
Blazing Saddles &0000000080000000.00000080.000.000+R &0000000002600000.0000002.600.000 [# 253][# 254]
1975 Jaws &0000000470653000.000000470.653.000 (&0000000193700000.000000193.700.000)R &0000000009000000.0000009.000.000 [# 255][# 256][# 257]
1976 Rocky &0000000225000000.000000225.000.000 (&0000000077100000.00000077.100.000)R &0000000001075000.0000001.075.000 [# 258][# 244][# 259]
1977 Star Wars &0000000775398007.000000775.398.007
(&0000000530000000.000000530.000.000SW/&0000000268500000.000000268.500.000R)
&0000000011293151.00000011.293.151 [# 260][# 89][# 244][# 261]
1978 Grease &0000000394589888.000000394.589.888 (&0000000341000000.000000341.000.000) &0000000006000000.0000006.000.000 [# 262][# 263][# 232]
1979 Moonraker &0000000210300000.000000210.300.000 &0000000031000000.00000031.000.000 [# 221][# 264]
Rocky II &0000000200182289.000000200.182.289 &0000000007000000.0000007.000.000 [# 265][# 266][# 264]
1980 The Empire Strikes Back &0000000538375067.000000538.375.067 (&0000000413562607.000000413.562.607)SW &0000000023000000.00000023.000.000–&0000000032000000.00000032.000.000 [# 267][# 268]
1981 Raiders of the Lost Ark &0000000389925971.000000389.925.971
(&0000000321866000.000000321.866.000–&0000000353988025.000000353.988.025)
&0000000018000000.00000018.000.000–&0000000022800000.00000022.800.000 [# 269]
1982 E.T. the Extra-Terrestrial &0000000792910554.000000792.910.554
(&0000000619000000.000000619.000.000–&0000000664000000.000000664.000.000)
&0000000010500000.00000010.500.000–&0000000012200000.00000012.200.000 [# 88][# 89][# 270][# 271]
1983 Return of the Jedi &0000000475106177.000000475.106.177 (&0000000385845197.000000385.845.197)SW &0000000032500000.00000032.500.000–&0000000042700000.00000042.700.000 [# 272][# 268]
1984 Indiana Jones and the Temple of Doom &0000000333107271.000000333.107.271 &0000000027000000.00000027.000.000–&0000000028200000.00000028.200.000 [# 273][# 274][# 275]
1985 Back to the Future &0000000389053797.000000389.053.797 (&0000000381109762.000000381.109.762) &0000000019000000.00000019.000.000–&0000000022000000.00000022.000.000 [# 276][# 277]
1986 Top Gun &0000000356830601.000000356.830.601 (&0000000345000000.000000345.000.000) &0000000014000000.00000014.000.000–&0000000019000000.00000019.000.000 [# 278][# 279][# 274]
1987 Fatal Attraction &0000000320145905.000000320.145.905 &0000000014000000.00000014.000.000 [# 280][# 274]
1988 Rain Man &0000000354825476.000000354.825.476 &0000000030000000.00000030.000.000 [# 281][# 282]
1989 Indiana Jones and the Last Crusade &0000000474171806.000000474.171.806–&0000000494000000.000000494.000.000 &0000000036000000.00000036.000.000–&0000000055400000.00000055.400.000 [# 283][# 274][# 284]
1990 Ghost &0000000505702423.000000505.702.423 &0000000022000000.00000022.000.000 [# 285][# 274]
1991 Terminator 2: Judgment Day &0000000519843975.000000519.843.975 &0000000094000000.00000094.000.000 [# 286][# 287]
1992 Aladdin &0000000504050219.000000504.050.219 &0000000028000000.00000028.000.000 [# 288][# 154]
1993 Jurassic Park &0000001029939903.0000001.029.939.903 (&0000000914691118.000000914.691.118) &0000000063000000.00000063.000.000–&0000000070000000.00000070.000.000 [# 29]
1994 The Lion King &0000000987483777.000000987.483.777 (&0000000766964132.000000766.964.132) &0000000045000000.00000045.000.000–&0000000079300000.00000079.300.000 [# 38]
1995 Toy Story &0000000370638993.000000370.638.993 (&0000000361958736.000000361.958.736) &0000000030000000.00000030.000.000 [# 289][# 290]
Die Hard with a Vengeance &0000000366101666.000000366.101.666 &0000000070000000.00000070.000.000 [# 291][# 292]
1996 Independence Day &0000000817400891.000000817.400.891 &0000000075000000.00000075.000.000 [# 83]
1997 Titanic &0000002186772302.0000002.186.772.302 (&0000001843201268.0000001.843.201.268) &0000000200000000.000000200.000.000 [# 3]
1998 Armageddon &0000000553709626.000000553.709.626 &0000000140000000.000000140.000.000 [# 293][# 294]
1999 Star Wars Episode I: The Phantom Menace &0000001027044677.0000001.027.044.677 (&0000000924317558.000000924.317.558) &0000000115000000.000000115.000.000–&0000000127500000.000000127.500.000 [# 31][# 268]
2000 Mission: Impossible II &0000000546388105.000000546.388.105 &0000000100000000.000000100.000.000–&0000000125000000.000000125.000.000 [# 295][# 274]
2001 Harry Potter and the Philosopher's Stone &0000000974755371.000000974.755.371 &0000000125000000.000000125.000.000 [# 39]
2002 The Lord of the Rings: The Two Towers &0000000926047111.000000926.047.111 (&0000000921780457.000000921.780.457) &0000000094000000.00000094.000.000 [# 55]
2003 The Lord of the Rings: The Return of the King &0000001119929521.0000001.119.929.521 (&0000001119110941.0000001.119.110.941) &0000000094000000.00000094.000.000 [# 15]
2004 Shrek 2 &0000000919838758.000000919.838.758 &0000000150000000.000000150.000.000 [# 57]
2005 Harry Potter and the Goblet of Fire &0000000896911078.000000896.911.078 &0000000150000000.000000150.000.000 [# 59]
2006 Pirates of the Caribbean: Dead Man's Chest &0000001066179725.0000001.066.179.725 &0000000225000000.000000225.000.000 [# 23]
2007 Pirates of the Caribbean: At World's End &0000000963420425.000000963.420.425 &0000000300000000.000000300.000.000 [# 43]
2008 The Dark Knight &0000001004558444.0000001.004.558.444 (&0000000997039412.000000997.039.412) &0000000185000000.000000185.000.000 [# 36]
2009 Avatar &0000002787965087.0000002.787.965.087 (&0000002749064328.0000002.749.064.328) &0000000237000000.000000237.000.000 [# 1][# 296]
2010 Toy Story 3 &0000001063171911.0000001.063.171.911 &0000000200000000.000000200.000.000 [# 25]
2011 Harry Potter and the Deathly Hallows – Part 2 &0000001341511219.0000001.341.511.219 &0000000250000000.000000250.000.000HP [# 7][# 297]
2012 The Avengers &0000001518594910.0000001.518.594.910 &0000000220000000.000000220.000.000 [# 5]
2013 Frozen &0000001279852693.0000001.279.852.693 &0000000150000000.000000150.000.000 [# 9]
2014 Transformers: Age of Extinction &0000001091405097.0000001.091.405.097 &0000000210000000.000000210.000.000 [# 19]
2015 Furious 7 film currently playing &0000001223276765.0000001.223.276.765 &0000000190000000.000000190.000.000 [# 11][# 298]
  • Doanh thu tính theo USD
  • Phim ăn khách nhất: Tác phẩm giữ kỷ lục về doanh thu tính đến thời điểm nó phát hành

Danh sách loạt phim ăn khách nhất[sửa | sửa mã nguồn]

Ô màu xanh nghĩa là có phim thuộc series đang được công chiếu tại các rạp trên toàn thế giới (20 tháng 4 năm 2012).

Loạt phim ăn khách nhất[11]
Vị trí Loạt phim Hãng phát hành/
Phim trường
Tổng số
doanh thu
Số phim Doanh thu trung bình Phim ăn khách nhất
1 Harry Potter Warner Bros. $7.706.147.978 8 $963.268.497 Harry Potter và Bảo bối Tử thần – Phần 2 (Harry Potter and the Deathly Hallows – Part 2) (2011)
$1.328.111.219
2 James Bond United Artists (1962 – 1995),
MGM (1983 – nay),
Columbia Pictures (2006 – nay)
$5.131.470.822 23 $223.107.427 Sòng bạc Hoàng Gia (Casino Royale) (2006)
$594.239.066
3 Chiến tranh giữa các Vì sao
Star Wars
20th Century Fox, Lucasfilm $4.381.528.772 7 $625,932,682 ''Chiến tranh giữa các Vì sao I: Hiểm họa của bóng ma (Star Wars Episode I: The Phantom Menace) (1999)
$1,026,213,581
4 Cướp biển vùng Caribe
Pirates of the Caribbean
Walt Disney Pictures $3.727.735.967 4 $931.933.992 Cướp biển vùng Caribe: Chiếc rương tử thần (Pirates of the Caribbean: Dead Man's Chest) (2006)
$1.066.200.651
5 Gã chằn tinh tốt bụng
Shrek
DreamWorks Animation $3.504.767.509 5 $700.953.502 Gã chằn tinh tốt bụng 2 (Shrek 2) (2004)
$919.838.758
6 Chúa tể của những chiếc nhẫn
The Lord of the Rings
New Line Cinema $2,947,978,376 4 $736.994.594 Chúa tể của những chiếc nhẫn: Sự trở lại của nhà vua (The Lord of the Rings: The Return of the King) (2003)
$1.119.929.521
7 Robot đại chiến
Transformers
Paramount Pictures, United International Pictures/
DreamWorks
$2.675.610.116 4 $668.902.529 Robot đại chiến: Bóng tối của Mặt Trăng (Transformers: Dark of the Moon) (2011)
$833.229.011
8 Người Dơi
Batman
Warner Bros. $2.633.156.775 7 $376.165.254 Hiệp sĩ bóng đêm (The Dark Knight) (2008)
$1.001.921.825
9 Chạng vạng
The Twilight Saga
Summit Entertainment $2.508.379.328 4 $627.094.832 Chạng vạng: Trăng non (The Twilight Saga: New Moon) (2009)
$709.827.462
10 Người Nhện
Spider-Man
Columbia Pictures $2.496.346.518 3 $832.115.506 Người Nhện 3 (Spider-Man 3) (2007)
$890.871.626
11 Loạt phim của Marvel Cinematic Universe Paramount Pictures, Universal Pictures, Walt Disney Pictures $2.326.470.085 6 $387.745.014 Người Sắt 2 (Iron Man 2) (2010)
$623.933.331
12 Nhiệm vụ bất khả thi
Mission: Impossible
Paramount Pictures $2.094.988.547 4 $523.747.137 Nhiệm vụ bất khả thi: Chiến dịch bóng ma (Mission Impossible: Ghost Protocol) (2011)
$693.054.071
13 Indiana Jones Paramount Pictures, Lucasfilm $1.978.055.564 4 $494.513.891 Indiana Jones và Vương quốc sọ pha lê (Indiana Jones and the Kingdom of the Crystal Skull) (2008)
$786.636.033
14 Câu chuyện đồ chơi
Toy Story
Walt Disney Pictures, Pixar $1.948.143.626 3 $649.381.209 Câu chuyện đồ chơi 3 (Toy Story 3) (2010)
$1.063.171.911
15 Kỳ Băng Hà
Ice Age
20th Century Fox, Blue Sky $1.919.941.044 3 $639.980.348 Ice Age: Dawn of the Dinosaurs ($884.784.626)
16 Công viên kỷ Jura
Jurassic Park
Universal Studios $1.902.110.926 3 $634.036.975 Jurassic Park ($914.691.118)
17 Dị Nhân
X-Men
20th Century Fox $1.536.473.200 4 $384.118.300 X-Men: The Last Stand ($459.359.555)
18 Ma trận
The Matrix
Warner Bros. $1.623.967.842 3 $541.322.614 The Matrix Reloaded ($738.599.701)
20 Biên niên sử Narnia
The Chronicles of Narnia
Walden Media with Walt Disney Pictures $1.580.364.900 3 $526.788.300 The Chronicles of Narnia: The Lion, the Witch and the Wardrobe ($745.013.115)

Phim có ngày đầu công chiếu ăn khách nhất[sửa | sửa mã nguồn]

Dưới đây là danh sách các bộ phim có ngày chiếu mở màn ăn khách nhất tính theo số liệu của Box Office Mojo.[12]

TT Phim Hãng phát hành/
Phim trường
Ngày đầu Tổng doanh thu Năm
1 Trăng non
(The Twilight Saga: New Moon)
Summit Entertainment 72.703.754 697.013.646 2009
2 Hiệp sĩ bóng đêm
(The Dark Knight)
Warner Bros 67.850.000 1.001.921.825 2008
3 Transformers: Bại binh phục hận
(Transformers: Revenge of the Fallen)
Paramount 62.016.476 833.229.011 2009
4 Người nhện 3
(Spider-Man 3)
Columbia Pictures 59.841.919 890.871.626 2007
5 Harry Potter và Hoàng tử lai
(Harry Potter and the Half-Blood Prince)
Warner Bros 58.471.512 929.359.401 2009
6 Pirates of the Caribbean: Dead Man's Chest Walt Disney Pictures 55.830.600 890.871.626 2006
7 Star Wars: Episode III - Revenge of the Sith 20th Century Fox 50.013.859 850.000.605 2005
8 X-Men: The Last Stand 20th Century Fox 45.102.265 459.256.008 2006
9 Harry Potter và Hội Phượng Hoàng
(Harry Potter and the Order of the Phoenix)
Warner Bros. 44.232.338 938.468.864 2007
10 Pirates of the Caribbean: At World's End Walt Disney Pictures 42.910.392 960.996.492 2007
  • Doanh thu tính theo USD

Xem thêm[sửa | sửa mã nguồn]

Chú thích[sửa | sửa mã nguồn]

  1. ^ “Box office of all time”. Box Office Mojo. 
  2. ^ “Highest-grossing movies of all time”. Internet Movie Database. 
  3. ^ “Domestic Grosses: Adjusted for Ticket Price Inflation”. Box Office Mojo. 
  4. ^ “All Time Worldwide Box Office Grosses”. Box Office Mojo. Truy cập ngày 7 tháng 8 năm 2011. 
  5. ^ Glenday, Craig biên tập (2011). Гиннесс. Мировые рекорды 2012 [Guinness World Records 2012] (bằng tiếng Nga. translated by Andrianov. P.I. & Palova. I.V.). Moscow: Astrel. tr. 211. ISBN 978-5-271-36423-5. 
  6. ^ “Yearly Box Office”. Box Office Mojo. Truy cập ngày 24 tháng 3 năm 2008. 
  7. ^ “WorldwideBoxofffice.com”. WorldWideBoxoffice.com. Truy cập ngày 24 tháng 4 năm 2008. 
  8. ^ “Yearly Box Office”. Box Office Mojo. Truy cập ngày 6 tháng 1 năm 2012. 
  9. ^ “Movie Index By Year”. The Numbers. Nash Information Services. Truy cập ngày 6 tháng 1 năm 2012. 
  10. ^ Dirks, Tim. “All-Time Box-Office Hits By Decade and Year”. Filmsite.org. American Movie Classics. Truy cập ngày 5 tháng 1 năm 2012. 
  11. ^ “List of highest-grossing films”. Box Office Mojo. IMDb. Truy cập ngày 6 tháng 1 năm 2010. 
  12. ^ “Yearly Box Office”. Box Office Mojo. Truy cập ngày 27 tháng 7 năm 2008. 

Tham khảo[sửa | sửa mã nguồn]

  1. ^ a ă Avatar
  2. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 11 năm 2010. 
  3. ^ a ă Titanic
  4. ^ a ă “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 16 tháng 7 năm 2001. 
  5. ^ a ă “The Avengers (2012)”. Box Office Mojo. Truy cập ngày 7 tháng 10 năm 2012. 
  6. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 10 năm 2012. 
  7. ^ a ă “Harry Potter and the Deathly Hallows Part 2 (2011)”. Box Office Mojo. Truy cập ngày 7 tháng 10 năm 2011. 
  8. ^ a ă “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 31 tháng 10 năm 2011. 
  9. ^ a ă Frozen
    Total as of August 3, 2014: $247,650,477
    Total as of August 31, 2014: $249,036,646
    Total as of August 17, 2014: $167,333
    Total as of July 27, 2014: $21,668,593
    Total as of November 2, 2014: $22,492,845
    Total as of June 8, 2014: £39,090,985
    Total as of November 30, 2014: £40,960,083 ($1 = £0.63866)
    Total as of December 7, 2014: £41,087,765 ($1 = £0.64136)
    Total as of December 14, 2014: £41,170,608 ($1 = £0.636)
  10. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 2 tháng 7 năm 2014. 
  11. ^ a ă “Furious 7 (2015)”. Box Office Mojo. Truy cập ngày 24 tháng 4 năm 2015. 
  12. ^ “Iron Man 3 (2013)”. Box Office Mojo. Truy cập ngày 28 tháng 10 năm 2013. 
  13. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 31 tháng 8 năm 2013. 
  14. ^ “Transformers: Dark of the Moon (2011)”. Box Office Mojo. Truy cập ngày 18 tháng 1 năm 2014. 
  15. ^ a ă The Lord of the Rings: The Return of the King
  16. ^ a ă “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 5 tháng 6 năm 2004. 
  17. ^ “Skyfall (2012)”. Box Office Mojo. Truy cập ngày 1 tháng 4 năm 2013. 
  18. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 3 năm 2013. 
  19. ^ a ă “Transformers: Age of Extinction”. Box Office Mojo. Truy cập ngày 21 tháng 2 năm 2015. 
  20. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 2 tháng 11 năm 2014. 
  21. ^ “The Dark Knight Rises (2012)”. Box Office Mojo. Truy cập ngày 14 tháng 12 năm 2012. 
  22. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 12 năm 2012. 
  23. ^ a ă “Pirates of the Caribbean: Dead Man's Chest (2006)”. Box Office Mojo. Truy cập ngày 11 tháng 1 năm 2010. 
  24. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 12 năm 2006. 
  25. ^ a ă “Toy Story 3 (2010)”. Box Office Mojo. Truy cập ngày 17 tháng 3 năm 2010. 
  26. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 30 tháng 11 năm 2010. 
  27. ^ “Pirates of the Caribbean: On Stranger Tides”. Box Office Mojo. Truy cập ngày 22 tháng 8 năm 2011. 
  28. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 31 tháng 7 năm 2011. 
  29. ^ a ă Jurassic Park
  30. ^ a ă Krämer, Peter (1999). “Women First: Titanic, Action-Aventure Films, and Hollywood's Female Audience”. Trong Sandler, Kevin S.; Studlar, Gaylyn. Titanic: Anatomy of a Blockbuster. Rutgers University Press. tr. 108–131. ISBN 9780813526690. “p. 130: The list has Jurassic Park at number one with $913 million, followed by The Lion King...” 
  31. ^ a ă Star Wars Episode I: The Phantom Menace
  32. ^ “Alice in Wonderland (2010)”. Box Office Mojo. Truy cập ngày 17 tháng 7 năm 2011. 
  33. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 7 năm 2010. 
  34. ^ “The Hobbit: An Unexpected Journey (2012)”. Box Office Mojo. Truy cập ngày 22 tháng 4 năm 2013. 
  35. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 2 tháng 4 năm 2013. 
  36. ^ a ă The Dark Knight
    • Total: “The Dark Knight (2008)”. Box Office Mojo. Truy cập ngày 28 tháng 10 năm 2012. “Total: $1,004,558,444” 
    • Original release (excluding 2009 IMAX reissue): “The Dark Knight”. The Numbers. Nash Information Services. Bản gốc lưu trữ ngày 8 tháng 2 năm 2009. Truy cập ngày 28 tháng 10 năm 2012. “North America: $531,039,412 (as of January 22, 2009); Overseas: $466,000,000; IMAX re-release: January 23, 2009” 
    • 2009 IMAX re-release: “The Dark Knight Re-Release IMAX Locations”. ComingSoon.net. CraveOnline. 22 tháng 1 năm 2009. Truy cập ngày 28 tháng 10 năm 2012. “IMAX Corporation and Warner Bros. Pictures today announced that the box office smash hit The Dark Knight, which has grossed more than $997 million at the worldwide box office since its release on July 18th, 2008, will return to IMAX® theatres for an encore presentation. Starting January 23rd, the film will open in 143 IMAX screens domestically, and 29 screens internationally.” 
    • First-run gross and IMAX reissue: Gray, Brandon (20 tháng 2 năm 2009). “Billion Dollar Batman”. Box Office Mojo. Truy cập ngày 7 tháng 6 năm 2014. “The Dark Knight had been hovering just shy of $1 billion for several months and reportedly sat at $997 million when Warner Bros. modestly relaunched it on Jan. 23, timed to take advantage of the announcement of the Academy Awards nominations on Jan. 22.” 
  37. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 28 tháng 2 năm 2009. 
  38. ^ a ă The Lion King
  39. ^ a ă “Harry Potter and the Philosopher's Stone (2001)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  40. ^ Bloomberg News (19 tháng 2 năm 2002). “'Harry Potter' Moves Into No. 2 Position”. Los Angeles Times. Truy cập ngày 20 tháng 10 năm 2014. 
  41. ^ “Despicable Me 2 (2013)”. Box Office Mojo. Truy cập ngày 24 tháng 2 năm 2013. 
  42. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 21 tháng 2 năm 2014. 
  43. ^ a ă “Pirates of the Caribbean: At World's End (2007)”. Box Office Mojo. Truy cập ngày 15 tháng 6 năm 2011. 
  44. ^ a ă “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 10 năm 2007. 
  45. ^ “The Hobbit: The Desolation of Smaug (2013)”. Box Office Mojo. Truy cập ngày 21 tháng 6 năm 2014. 
  46. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 4 tháng 4 năm 2014. 
  47. ^ “Harry Potter and the Deathly Hallows Part 1 (2010)”. Box Office Mojo. Truy cập ngày 17 tháng 7 năm 2011. 
  48. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 28 tháng 2 năm 2011. 
  49. ^ “The Hobbit: The Battle of the Five Armies (2014)”. Box Office Mojo. Truy cập ngày 23 tháng 4 năm 2015. 
  50. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 28 tháng 3 năm 2015. 
  51. ^ “Harry Potter and the Order of the Phoenix (2793007)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  52. ^ “Finding Nemo (2003)”. Box Office Mojo. Truy cập ngày 18 tháng 1 năm 2013. 
  53. ^ “Harry Potter and the Half-Blood Prince (2009)”. Box Office Mojo. Truy cập ngày 5 tháng 5 năm 2010. 
  54. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 4 tháng 12 năm 2009. 
  55. ^ a ă The Lord of the Rings: The Two Towers
  56. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 8 năm 2003. 
  57. ^ a ă “Shrek 2 (2002)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  58. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 4 tháng 2 năm 2005. 
  59. ^ a ă “Harry Potter and the Goblet of Fire (2005)”. Box Office Mojo. Truy cập ngày 13 tháng 3 năm 2010. 
  60. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 4 tháng 4 năm 2006. 
  61. ^ “Spider-Man 3 (2007)”. Box Office Mojo. Truy cập ngày 13 tháng 3 năm 2010. 
  62. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 30 tháng 6 năm 2007. 
  63. ^ “Ice Age: Dawn of the Dinosaurs (2009)”. Box Office Mojo. Truy cập ngày 13 tháng 3 năm 2010. 
  64. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 4 tháng 12 năm 2009. 
  65. ^ “Harry Potter and Chamber of Secrets (2002)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  66. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 2 tháng 4 năm 2003. 
  67. ^ “Ice Age: Continental Drift”. Box Office Mojo. Truy cập ngày 18 tháng 1 năm 2012. 
  68. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 12 năm 2012. 
  69. ^ “The Lord of the Rings: The Fellowship of the Ring (2001)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  70. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 10 năm 2002. 
  71. ^ “The Hunger Games: Catching Fire (2013)”. Box Office Mojo. Truy cập ngày 31 tháng 3 năm 2014. 
  72. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 31 tháng 1 năm 2014. 
  73. ^ “Star Wars Episode III: Revenge of the Sith (2005)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  74. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 10 năm 2005. 
  75. ^ “Transformers: Revenge of the Fallen (2009)”. Box Office Mojo. Truy cập ngày 15 tháng 10 năm 2009. 
  76. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 9 năm 2009. 
  77. ^ “The Twilight Saga: Breaking Dawn – Part 2 (2012)”. Box Office Mojo. Truy cập ngày 1 tháng 5 năm 2013. 
  78. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 3 tháng 3 năm 2013. 
  79. ^ “Inception (2010)”. Box Office Mojo. Truy cập ngày 31 tháng 10 năm 2010. 
  80. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 30 tháng 11 năm 2010. 
  81. ^ “Spider-Man (2002)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  82. ^ a ă “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 10 năm 2002. 
  83. ^ a ă “Independence Day (1996)”. Box Office Mojo. Truy cập ngày 13 tháng 9 năm 2009. 
  84. ^ Speed, F. Maurice; Cameron-Wilson, James (1997). Film Review. W. H. Allen Ltd. tr. 161. “Independence Day grosses $772.4 million, making it the second highest-grossing movie of all time, after Jurassic Park 
  85. ^ “Shrek the Third (2007)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  86. ^ “Harry Potter and the Prisoner of Azkaban (2004)”. Box Office Mojo. Truy cập ngày 5 tháng 2 năm 2009. 
  87. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 31 tháng 12 năm 2004. 
  88. ^ a ă “E.T.: The Extra-Terrestrial (1982)”. Box Office Mojo. Truy cập ngày 10 tháng 1 năm 2012. 
  89. ^ a ă â Wuntch, Philip (19 tháng 7 năm 1985). “Return of E.T.”. The Dallas Morning News. Bản gốc lưu trữ ngày 6 tháng 3 năm 2012. Truy cập ngày 6 tháng 3 năm 2012. “Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.” 
  90. ^ 2012
  91. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 1 tháng 4 năm 2010. 
  92. ^ “Fast & Furious 6 (2013)”. Box Office Mojo. Truy cập ngày 15 tháng 9 năm 2013. 
  93. ^ “All Time Worldwide Box Office”. Box Office Mojo. Bản gốc lưu trữ ngày 5 tháng 9 năm 2013. 
  94. ^ Monaco, James (2009). How to Read a Film:Movies, Media, and Beyond. Oxford University Press. tr. 262. ISBN 9780199755790. ‘The Birth of a Nation, costing an unprecedented and, many believed, thoroughly foolhardy $110,000, eventually returned $20 million and more. The actual figure is hard to calculate because the film was distributed on a "states' rights" basis in which licenses to show the film were sold outright. The actual cash generated by The Birth of a Nation may have been as much as $50 million to $100 million, an almost inconceivable amount for such an early film.’ 
  95. ^ Wasko, Janet (1986). “D.W. Griffiths and the banks: a case study in film financing”. Trong Kerr, Paul. The Hollywood Film Industry: A Reader. Routledge. tr. 34. ISBN 9780710097309. ‘Various accounts have cited $15 to $18 million profits during the first few years of release, while in a letter to a potential investor in the proposed sound version, Aitken noted that a $15 to $18 million box-office gross was a 'conservative estimate'. For years Variety has listed The Birth of a Nation's total rental at $50 million. (This reflects the total amount paid to the distributor, not box-office gross.) This 'trade legend' has finally been acknowledged by Variety as a 'whopper myth', and the amount has been revised to $5 million. That figure seems far more feasible, as reports of earnings in the Griffith collection list gross receipts for 1915–1919 at slightly more than $5.2 million (including foreign distribution) and total earnings after deducting general office expenses, but not royalties, at about $2 million.’ 
  96. ^ Lang, Robert biên tập (1994). The Birth of a nation: D.W. Griffith, director. Rutgers University Press. tr. 30. ISBN 978-0-8135-2027-8. “The film eventually cost $110,000 and was twelve reels long.” 
  97. ^ a ă Block & Wilson 2010, tr. 26.
    • Intolerance: "Domestic Rentals: $1.0 (Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $0.5; Production Cost: $0.3 (Unadjusted $s in Millions of $s)."
  98. ^ Birchard, Robert S. (2010), Intolerance, tr. 45, “Intolerance was the most expensive American film made up until that point, costing a total of $489,653, and its performance at the box ... but it did recoup its cost and end with respectable overall numbers.”  In: Block & Wilson 2010.
  99. ^ Coons, Robin (30 tháng 6 năm 1939). “Hollywood Chatter”. The Daytona Beach News-Journal. tr. 6. 
  100. ^ Shipman, David (1970). The great movie stars: the golden years. Crown Publishing Group. tr. 98. “It was a low budgeter—$120,000—but it grossed world-wide over $3 million and made stars of Chaney and his fellow-players, Betty Compson and Thomas Meighan.” 
  101. ^ a ă â b “Biggest Money Pictures”. Variety. 21 tháng 6 năm 1932. tr. 1.  Cited in “Biggest Money Pictures”. Cinemaweb. Bản gốc lưu trữ ngày 8 tháng 7 năm 2011. Truy cập ngày 14 tháng 7 năm 2011. 
  102. ^ a ă Solomon, Aubrey (2011). The Fox Film Corporation, 1915–1935: A History and Filmography. McFarland & Company. ISBN 9780786462865. 
    • Way Down East: p. 52. "D.W. Griffith's Way Down East (1920) was projected to return rentals of $4,000,000 on an $800,000 negative. This figure was based on the amounts earned from its roadshow run, coupled with its playoff in the rest of the country's theaters. Griffith had originally placed the potential film rental at $3,000,000 but, because of the success of the various roadshows that were running the $4,000,000 total was expected. The film showed a profit of $615,736 after just 23 weeks of release on a gross of $2,179,613."
    • What Price Glory?: p. 112. "What Price Glory hit the jackpot with massive world rentals of $2,429,000, the highest figure in the history of the company. Since it was also the most expensive production of the year at $817,000 the profit was still a healthy $796,000..."
    • Cavalcade: p. 170. "The actual cost of Cavalcade was $1,116,000 and it was most definitely not guaranteed a success. In fact, if its foreign grosses followed the usual 40 percent of domestic returns, the film would have lost money. In a turnaround, the foreign gross was almost double the $1,000,000 domestic take to reach total world rentals of $3,000,000 and Fox's largest profit of the year at $664,000."
    • State Fair: p. 170. "State Fair did turn out to be a substantial hit with the help of Janet Gaynor boosting Will Rogers back to the level of money-making star. Its prestige engagements helped raked in a total $1,208,000 in domestic rentals. Surprisingly, in foreign countries unfamiliar with state fairs, it still earned a respectable $429,000. With its total rentals, the film ended up showing a $398,000 profit."
  103. ^ Hall & Neale 2010, tr. 53. "The Four Forsemen of the Apocalypse was to become Metro's most expensive production and one of the decade's biggest box-office hits. Its production costs have been estimated at "something between $600,000 and $800,000." Variety estimated its worldwide gross at $4 million in 1925 and at $5 million in 1944; in 1991, it estimated its cumulative domestic rentals at $3,800,000."
  104. ^ Brownlow, Kevin (1968). The parade's gone by ... University of California Press. tr. 255. ISBN 978-0-520-03068-8. ‘The negative cost was about $986,000, which did not include Fairbanks' own salary. Once the exploitation and release prints were taken into account, Robin Hood cost about $1,400,000—exceeding both Intolerance ($700,000) and the celebrated "million dollar movie" Foolish Wives. But it earned $2,500,000.’ 
  105. ^ Vance, Jeffrey (2008). Douglas Fairbanks. University of California Press. tr. 146. ISBN 9780520256675. “The film had a production cost of $930,042.78—more than the cost of D.W. Griffith's Intolerance and nearly as much as Erich von Stroheim's Foolish Wives (1922).” 
  106. ^ a ă “Business: Film Exports”. Time. 6 tháng 7 năm 1925. Bản gốc lưu trữ ngày 5 tháng 11 năm 2010. Truy cập ngày 12 tháng 7 năm 2011. 
  107. ^ a ă â b c Birchard, Robert S. (2009). Cecil B. DeMille's Hollywood. University Press of Kentucky. ISBN 9780813138299. 
  108. ^ May, Richard P. (Fall 2005), “Restoring The Big Parade”, The Moving Image 5 (2): 140–146, doi:10.1353/mov.2005.0033, ISSN 1532-3978, “...earning somewhere between $18 and $22 million, depending on the figures consulted” 
  109. ^ Robertson, Patrick (1991). Guinness Book of Movie Facts and Feats (ấn bản 4). Abbeville Publishing Group. tr. 30. ISBN 9781558592360. “The top grossing silent film was King Vidor's The Big Parade (US 25), with worldwide rentals of $22 million.” 
  110. ^ Hall & Neale 2010, tr. 58–59. "Even then, at a time when the budget for a feature averaged at around $300,000, no more than $382,000 was spent on production...According to the Eddie Mannix Ledger at MGM, it grossed $4,990,000 domestically and $1,141,000 abroad."
  111. ^ Hall & Neale 2010, tr. 163. "MGM's silent Ben-Hur, which opened at the end of 1925, had out-grossed all the other pictures released by the company in 1926 combined. With worldwide rentals of $9,386,000 on first release it was, with the sole possible exception of The Birth of a Nation, the highest-earning film of the entire silent era. (At a negative cost of $3,967,000, it was also the most expensive.)"
  112. ^ Miller, Frank. “For Heaven's Sake (1926) – Articles”. Turner Classic Movies. Truy cập ngày 15 tháng 1 năm 2012. 
  113. ^ Finler 2003, tr. 188. "At a cost of $2 million Wings was the studio's most expensive movie of the decade, and though it did well it was not good enough to earn a profit."
  114. ^ a ă The Jazz Singer and The Singing Fool
    • Block, Hayley Taylor (2010), The Jazz Singer, tr. 113, “The film brought in $2.6 million in worldwide rentals and made a net profit of $1,196,750. Jolson's follow-up Warner Bros. film, The Singing Fool (1928), brought in over two times as much, with $5.9 in worldwide rentals and a profit of $3,649,000, making them two of the most profitable films in the 1920s.”  In: Block & Wilson 2010.
  115. ^ Crafton, Donald (1999). The Talkies: American Cinema's Transition to Sound, 1926–1931. University of California Press. tr. 549–552. ISBN 9780520221284. “The Singing Fool: Negative Cost ($1000s): 388” 
  116. ^ Birchard, Robert S. (2010), The Broadway Melody, tr. 121, “It earned $4.4 million in worldwide rentals and was the first movie to spawn sequels (there were several until 1940).”  In: Block & Wilson 2010.
  117. ^ Bradley, Edwin M. (2004) [1st. pub. 1996]. The First Hollywood Musicals: A Critical Filmography of 171 Features, 1927 Through 1932. McFarland & Company. ISBN 9780786420292. 
    • The Singing Fool: p. 12. "Ego aside, Jolson was at the top of his powers in The Singing Fool. The $150,000 Warner Bros. paid him to make it, and the $388,000 it took to produce the film, were drops in the hat next to the film's world gross of $5.9 million. Its $3.8-million gross in this country set a box-office record that would not be surpassed until Walt Disney's Snow White and the Seven Dwarfs (1937)."
    • The Broadway Melody: p. 24. "The Broadway Melody with a negative cost of $379,000, grossed $2.8 million in the United States, $4.8 million worldwide, and made a recorded profit of $1.6 million for MGM."
    • Gold Diggers of Broadway: p. 58. "It grossed an impressive $2.5 million domestically and nearly $4 million worldwide."
  118. ^ a ă â Solomon, Aubrey (2002) [First published 1988]. Twentieth Century-Fox: a corporate and financial history. Filmmakers series 20. Rowman & Littlefield. ISBN 9780810842441. 
    • Sunny Side Up: p. 10. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
    • Forever Amber: p. 66. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
    • The French Connection
    p. 167. "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection, which took in rentals of approximately $75 million worldwide."
    p. 256. "$3,300,00".
  119. ^ Block & Wilson 2010, tr. 46. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
  120. ^ Cormack, Mike (1993). Ideology and Cinematography in Hollywood, 1930–1939. Palgrave Macmillan. tr. 28. ISBN 9780312100674. “Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.” 
  121. ^ a ă Balio, Tino (1996). Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Volume 5 of History of the American Cinema. University of California Press. ISBN 9780520203341. 
    • Cavalcade: p. 182. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
    • Whoopee: p. 212. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
  122. ^ Hell's Angels
    • Balio, Tino (1976). United Artists: The Company Built by the Stars. University of Wisconsin Press. tr. 110. ‘Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.’ 
  123. ^ Feaster, Felicia. “Frankenstein (1931)”. Turner Classic Movies. Truy cập ngày 4 tháng 7 năm 2011. 
  124. ^ Block & Wilson 2010, tr. 163. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
  125. ^ Vance, Jeffrey (2003). Chaplin: genius of the cinema. Abrams Books. tr. 208. “Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.” 
  126. ^ Ramsaye, Terry biên tập (1937). “The All-Time Best Sellers – Motion Pictures”. International Motion Picture Almanac 1937–38 (New York: The Quigley Publishing Company): 942–943. “Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)” 
  127. ^ a ă â b Sedgwick, John (2000). Popular Filmgoing In 1930s Britain: A Choice of Pleasures. University of Exeter Press. tr. 146–148. ISBN 9780859896603. “Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...” 
    • Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; US box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
    • The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; US box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
    • Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; US box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
    • Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; US box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
    • San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; US box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
  128. ^ Shanghai Express
    • Block & Wilson 2010, tr. 165. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
  129. ^ King Kong
    • Jewel, Richard (1994). “RKO Film Grosses: 1931–1951”. Historical Journal of Film Radio and Television 14 (1): 39. “1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000” 
    • “King Kong (1933) – Notes”. Turner Classic Movies. Truy cập ngày 7 tháng 1 năm 2012. “1952 release: $2,500,000; budget: $672,254.75” 
  130. ^ “I'm No Angel (1933) – Notes”. Turner Classic Movies. Truy cập ngày 7 tháng 1 năm 2012. “According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.” 
  131. ^ Finler 2003, tr. 188. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
  132. ^ Block, Alex Ben (2010), She Done Him Wrong, tr. 173, “The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal.”  In: Block & Wilson 2010.
  133. ^ Phillips, Kendall R. (2008). Controversial Cinema: The Films That Outraged America. ABC-CLIO. tr. 26. ISBN 9781567207248. “The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.” 
  134. ^ Block & Wilson 2010, tr. 135. "Total production cost: $274,076 (Unadjusted $s)."
  135. ^ a ă Turk, Edward Baron (2000) [1st. pub. 1998]. Hollywood Diva: A Biography of Jeanette MacDonald. University of California Press. ISBN 9780520222533. 
    • The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
    • San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
  136. ^ McBride, Joseph (2011). Frank Capra: The Catastrophe of Success. University Press of Mississippi. tr. 309. ISBN 9781604738384. “According to the studio's books It Happened One Night brought in $1 million in film rentals during its initial release, but as Joe Walker pointed out, the figure would have been much larger if the film had not been sold to theaters on a block-booking basis in a package with more than two dozen lesser Columbia films, and the total rentals of the package spread among them all, as was customary in that era, since it minimized the risk and allowed the major studios to dominate the marketplace.” 
  137. ^ Dick, Bernard F. (2008). Claudette Colbert: She Walked in Beauty. University Press of Mississippi. tr. 79. ISBN 9781604730876. “Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.” 
  138. ^ Snow White and the Seven Dwarfs
    • Monaco, Paul (2010). A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema. Scarecrow Press. tr. 54. ISBN 9780810874343. ‘Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.’ 
    • Wilhelm, Henry Gilmer; Brower, Carol (1993). The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides, and Motion Pictures. Preservation Pub. tr. 359. ISBN 978-0911515008. “In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!” 
    • “Snow White and the Seven Dwarfs (1987 Re-issue)”. Boxoffice. Truy cập ngày 29 tháng 6 năm 2014. “North American box-office: $46,594,719” 
    • “Snow White and the Seven Dwarfs (1993 Re-issue)”. Boxoffice. Truy cập ngày 29 tháng 6 năm 2014. “North American box-office: $41,634,791” 
  139. ^ a ă Snow White and the Seven Dwarfs and Pinocchio
    p. 207. "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White."
    p. 237. "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur".
    p. 255. "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White's $4.2 million) and $1.9 million in foreign rentals (compared with Snow White's $4.3 million)."
  140. ^ 1938
    • You Can't Take It With You:“You Can't Take It With You Premieres”. Focus Features. Bản gốc lưu trữ ngày 13 tháng 9 năm 2012. Truy cập ngày 13 tháng 9 năm 2012. “You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.” 
    • Boys Town: Block, Alex Ben (2010), Boys Town, tr. 215, “The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million.”  In: Block & Wilson 2010.
    • The Adventures of Robin Hood: Glancy, H. Mark (1995). “Warner Bros Film Grosses, 1921–51: the William Schaefer ledger”. Historical Journal of Film, Radio and Television 1 (15): 55–60. doi:10.1080/01439689500260031. “$3.981 million.” 
    • Alexander's Ragtime Band: Block, Hayley Taylor (2010), Alexander's Ragtime Band, tr. 213, “Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million.”  In: Block & Wilson 2010.
  141. ^ Chartier, Roy (6 tháng 9 năm 1938). “You Can't Take It With You”. Variety. Truy cập ngày 13 tháng 9 năm 2011. 
  142. ^ “Gone with the Wind”. The Numbers. Nash Information Services. Truy cập ngày 8 tháng 2 năm 2013. 
  143. ^ “Gone with the Wind”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  144. ^ Jones, Lon (4 tháng 3 năm 1944). “Which Cinema Films Have Earned The Most Money Since 1914?”. The Argus (Melbourne). tr. 3 Supplement: The Argus Weekend magazine. 
  145. ^ Hall & Neale 2010, tr. 283 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
  146. ^ “Pinocchio (1940)”. Boxoffice. Truy cập ngày 22 tháng 6 năm 2013. 
  147. ^ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. New York: Oxford University Press. tr. 266. ISBN 9780199839223. ‘The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.’ 
  148. ^ Schatz, Thomas (1999) [1st. pub. 1997]. Boom and Bust: American Cinema in the 1940s. Volume 6 of History of the American Cinema. University of California Press. tr. 466. ISBN 9780520221307. “Boom Town ($4.6 million).” 
  149. ^ Block & Wilson 2010, tr. 258259. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
  150. ^ Block & Wilson 2010, tr. 267. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
  151. ^ Finler 2003, tr. 301. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
  152. ^ “Bambi”. Boxoffice. Truy cập ngày 22 tháng 6 năm 2013. 
  153. ^ Block & Wilson 2010, tr. 281. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
  154. ^ a ă â b Block & Wilson 2010, tr. 712–713.
    • Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
    • 101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
    • The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
    • Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
  155. ^ Glancy, Mark (1999). When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945. Manchester University Press. tr. 9495. ISBN 9780719048531. “Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.” 
  156. ^ Block & Wilson 2010
    • Mrs. Miniver: Burns, Douglas (2010), Mrs. Miniver, tr. 279, ‘Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.’ 
    • Yankee Doodle Dandy: p. 275. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
  157. ^ McAdams, Frank (2010), For Whom the Bell Tolls, tr. 287, ‘Despite the early furor over the novel being “pro-red and immoral,” the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release.’  In: Block & Wilson 2010.
  158. ^ “For Whom the Bell Tolls (1943) – Notes”. Turner Classic Movies. Truy cập ngày 24 tháng 6 năm 2012. 
  159. ^ a ă “A Guy Named Joe (1944) – Notes”. Turner Classic Movies. Truy cập ngày 29 tháng 8 năm 2012. “According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.” 
  160. ^ Bergreen, Laurence (Summer 1996). “Irving Berlin: This Is the Army”. Prologue 28 (2). Part 3. Truy cập ngày 22 tháng 8 năm 2012. 
  161. ^ “This Is the Army (1943) – Notes”. Turner Classic Movies. Truy cập ngày 9 tháng 7 năm 2011. 
  162. ^ a ă â b c d đ Finler 2003, tr. 356–363
  163. ^ Block & Wilson 2010, tr. 420. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
  164. ^ a ă Block & Wilson 2010, tr. 232.
    • Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
    • Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
    • Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
  165. ^ Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959. Duke University Press. tr. 197–199. ISBN 9780822323747. ‘Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.’ 
  166. ^ Block & Wilson 2010
    • p. 296. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
    • Wasson, Sam (2010), The Bells of St. Mary's, tr. 297, “This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.” 
  167. ^ “Song of the South”. The Numbers. Nash Information Services. Truy cập ngày 10 tháng 7 năm 2011. 
  168. ^ Gabler, Neal (2007). Walt Disney: the biography. Aurum Press. tr. 438. “Still, the film wound up grossing $3.3 million...” 
  169. ^ “Song of the South (1946) – Notes”. Turner Classic Movies. Truy cập ngày 25 tháng 7 năm 2012. 
  170. ^ Hall & Neale 2010
    • p. 132."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
    • p. 286 (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
  171. ^ Burns, Douglas (2010), The Best years of Our Lives, tr. 301, “The film made a $5 million profit on worldwide rentals of $14.8 million.”  In: Block & Wilson 2010.
  172. ^ a ă Hall & Neale 2010, tr. 285 (note 6.56). "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
  173. ^ Chopra-Gant, Mike (2006). Hollywood Genres and Post-war America: Masculinity, Family and Nation in Popular Movies and Film Noir. I.B. Tauris. tr. 18. ISBN 9781850438151. “Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million” 
  174. ^ “Unconquered (1947) – Notes”. Turner Classic Movies. Truy cập ngày 10 tháng 1 năm 2012. 
  175. ^ Miller, Frank. “Easter Parade (1948) – Articles”. Turner Classic Movies. Truy cập ngày 19 tháng 7 năm 2012. 
  176. ^ Street, Sarah (2002). Transatlantic Crossings: British Feature Films in the United States. Continuum International Publishing Group. tr. 110. ISBN 9780826413956. “Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.” 
  177. ^ Officer, Lawrence H. (2011). “Dollar-Pound Exchange Rate From 1791”. MeasuringWorth. Truy cập ngày 18 tháng 11 năm 2012. “1947–1948: $4.03 (per British pound)” 
  178. ^ “The Snake Pit”. The Numbers. Nash Information Services. Bản gốc lưu trữ ngày 13 tháng 1 năm 2012. 
  179. ^ a ă Hall & Neale 2010, tr. 136–139
    • Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
    • Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
  180. ^ “Cinderella”. Boxoffice. Truy cập ngày 22 tháng 6 năm 2013. 
  181. ^ Eisner, Michael D.; Schwartz, Tony (2009). Work in Progress. Pennsylvania State University. tr. 178. ISBN 9780786885077. “Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.” 
  182. ^ Barrier, Michael (2003). Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press. tr. 401. ISBN 9780195167290. “It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.” 
  183. ^ The E. J. Mannix ledger. Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962. 
  184. ^ a ă Lev, Peter (2006). Transforming the Screen, 1950–1959. Volume 7 of History of the American Cinema. University of California Press. ISBN 9780520249660. 
    • Quo Vadis: p. 15. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
    • Rear Window: pp. 203204. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
  185. ^ a ă Block & Wilson 2010, tr. 335.
    • The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
    • Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
  186. ^ Mulligan, Hugh A. (23 tháng 9 năm 1956). “Cinerama Pushing Ahead As Biggest Money-Maker”. The Register-Guard (Eugene, Oregon). Truy cập ngày 7 tháng 7 năm 2012. 
  187. ^ Zone, Ray (2012). 3-D Revolution: The History of Modern Stereoscopic Cinema. University Press of Kentucky. tr. 71. ISBN 9780813136110. “Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.” 
  188. ^ Burns, Douglas (2010), The Greatest Show on Earth, tr. 354–355, “By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals.”  In: Block & Wilson 2010.
  189. ^ “The Greatest Show on Earth (1952) – Notes”. Turner Classic Movies. Truy cập ngày 8 tháng 1 năm 2012. 
  190. ^ “Peter Pan (1953) – Notes”. Turner Classic Movies. Truy cập ngày 24 tháng 7 năm 2011. 
  191. ^ Hall & Neale 2010, tr. 147148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
  192. ^ Block & Wilson 2010, tr. 367. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
  193. ^ “Rear Window”. Boxoffice. Truy cập ngày 22 tháng 6 năm 2013. 
  194. ^ “White Christmas”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  195. ^ Block & Wilson 2010, tr. 420. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
  196. ^ Hall & Neale 2010, tr. 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
  197. ^ “20000 Leagues Under The Sea”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  198. ^ Miller, John M. “20,000 Leagues Under the Sea (1954) – Articles”. Turner Classic Movies. Truy cập ngày 9 tháng 1 năm 2012. 
  199. ^ Finler 2003, tr. 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
  200. ^ “Lady and the Tramp”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  201. ^ “Lady and the Tramp (1955) – Notes”. Turner Classic Movies. Truy cập ngày 27 tháng 7 năm 2011. 
  202. ^ Minego, Pete (21 tháng 5 năm 1956). “Pete's Pungent Patter”. Portsmouth Daily Times (Portsmouth, Ohio). tr. 19. 
  203. ^ “Cinerama Holiday (1955) – Notes”. Turner Classic Movies. Truy cập ngày 7 tháng 7 năm 2012. 
  204. ^ Block & Wilson 2010
    • p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
    • Burns, Douglas (2010), Mister Roberts, tr. 383, “Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.” 
  205. ^ Block & Wilson 2010, tr. 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
  206. ^ a ă Hall & Neale 2010, tr. 159–161
    • The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
    • The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
  207. ^ Hall & Neale 2010, tr. 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
  208. ^ Ross, Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. Oxford University Press. tr. 278–279. ISBN 9780199911431. “Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.” 
  209. ^ Block & Wilson 2010, tr. 324. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
  210. ^ Reid, John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Volume 14 of Hollywood classics. Lulu. tr. 243–245. ISBN 9781411678774. “Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.” 
  211. ^ Webster, Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. McFarland & Company. tr. 298 (note 2.23). ISBN 9780786459162. “Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.” 
  212. ^ a ă Hall & Neale 2010, tr. 179.
    • Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
    • The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
  213. ^ Nixon, Rob. “Psycho (1960) – Articles”. Turner Classic Movies. Truy cập ngày 9 tháng 1 năm 2012. 
  214. ^ “101 Dalmatians (1961)”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  215. ^ “One Hundred and One Dalmatians”. Variety. 31 tháng 12 năm 1960. Truy cập ngày 23 tháng 8 năm 2011. 
  216. ^ Block, Hayley Taylor (2010), West Side Story, tr. 449, “With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars).”  In: Block & Wilson 2010.
  217. ^ a ă â b c d Block & Wilson 2010, tr. 434.
    • The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
    • 2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
    • Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
    • Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)."
  218. ^ Lawrence of Arabia
    • 1962 release: “Lawrence of Arabia”. The Numbers. Nash Information Services. Truy cập ngày 15 tháng 8 năm 2011. “Worldwide Box Office: $69,995,385; International Box Office: $32,500,000” 
    • US total (including reissues): “Lawrence of Arabia”. Boxoffice. Truy cập ngày 22 tháng 6 năm 2013. “$43,000,852” 
  219. ^ a ă â Hall & Neale 2010, tr. 165166
    • Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70mm roadshows in selected territories only."
    • The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
    • Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States."
  220. ^ Hall & Neale 2010, tr. 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability."
  221. ^ a ă â b Block & Wilson 2010, tr. 428–429
    • From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
    • Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
    • Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
    • Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)"
  222. ^ a ă Chapman, James (2007). Licence to thrill: a cultural history of the James Bond films. I.B. Tauris. ISBN 978-1-84511-515-9. 
    • From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at Google Books)"
    • Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million... (Online copy at Google Books)"
    • Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at Google Books)"
  223. ^ a ă Balio, Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. tr. 261. ISBN 978-0-299-23014-2. 
    • From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at Google Books)"
    • Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at Google Books)"
  224. ^ a ă Hall & Neale 2010, tr. 184
    • My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
    • Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide."
  225. ^ Burns, Douglas (2010), Mary Poppins, tr. 469, “In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender.”  In: Block & Wilson 2010.
  226. ^ “The Sound of Music”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  227. ^ “Hawaii”. The Numbers. Nash Information Services. Truy cập ngày 18 tháng 8 năm 2011. 
  228. ^ “Who's Afraid of Virginia Woolf?”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  229. ^ Hall & Neale 2010, tr. 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)."
  230. ^ “The Jungle Book (1967)”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  231. ^ “The Jungle Book”. Variety. 31 tháng 12 năm 1966. Truy cập ngày 23 tháng 8 năm 2011. 
  232. ^ a ă Denisoff, R. Serge; Romanowski, William D. (1991). Risky Business: Rock in Film. Transaction Publishers. ISBN 9780887388439. 
    • The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."
    • Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion."
  233. ^ a ă Hall & Neale 2010, tr. 191–192
    • The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
    • Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically."
  234. ^ Palmer, R. Barton (2006). “2001: The Critical Reception and the Generation Gap”. Trong Kolker, Robert Phillip. Stanley Kubrick's 2001: a Space Odyssey: New Essays. Oxford University Press. tr. 16. ISBN 9780195174526. “With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.” 
  235. ^ Miller, Frank. “2001: A Space Odyssey (1968) – Articles”. Turner Classic Movies. Truy cập ngày 24 tháng 8 năm 2011. 
  236. ^ Haber, Joyces (27 tháng 3 năm 1969). “'Funny Girl' a Box Office Winner”. Los Angeles Times. Bản gốc lưu trữ ngày 29 tháng 3 năm 2012. Truy cập ngày 29 tháng 3 năm 2012. ‘..."Funny Girl" will gross an estimated $80 to $100 million worldwide.’ 
  237. ^ Welles, Chris (7 tháng 9 năm 1970). “Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits”. New York 3 (36) (New York Media). tr. 42–47. “While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.” 
  238. ^ Butch Cassidy and the Sundance Kid
    • United States and Canada: “Butch Cassidy and the Sundance Kid”. Boxoffice. Truy cập ngày 19 tháng 6 năm 2014. “$102,308,525” 
    • Outside North America: Vanity Fair (577–578). 2008. tr. 388. “Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad.” 
  239. ^ “'Love Story' II: Ryan Redux?”. New York 9 (New York Media). 1976. tr. 389. “Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.” 
  240. ^ Block, Hayley Taylor (2010), Love Story, tr. 545, “The final cost came in at $2,260,000.”  In: Block & Wilson 2010.
  241. ^ Scott, Vernon (30 tháng 6 năm 1979). “"Airports" Flourish”. The Bryan Times. United Press International. tr. 10. 
  242. ^ Block & Wilson 2010, tr. 541. "Screenwriter and director George Seaton was given a then-whopping production budget of $10 million to make what would be his last big movie after a long career as an actor in radio, a screenwriter, and a director."
  243. ^ Block & Wilson 2010, tr. 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals."
  244. ^ a ă â b Block & Wilson 2010, tr. 527.
    • Star Wars: Ep IV A New Hope: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
    • Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
    • Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)."
  245. ^ The Godfather
    • 1974: Newsweek 84 (19–27). 1974. tr. 74. “The original Godfather has grossed a mind-boggling $285 million...” 
    • 1991: Von Gunden, Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. McFarland & Company. tr. 36. ISBN 9780899506180. “Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).” 
    • 1997 re-release: “The Godfather (Re-issue)”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. “North America: $1,267,249” 
    • As of 2010: Block & Wilson 2010, tr. 246. "Domestic Box Office: $135.0; Foreign Box Office: $110.1 (Unadjusted $s in Millions of $s)."
    • Total: “The Godfather”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. “Worldwide Gross: $245,066,411” 
  246. ^ Jacobs, Diane (1980). Hollywood Renaissance. Dell Publishing. tr. 115. ISBN 9780440533825. “The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.” 
  247. ^ “The Godfather (1972) – Notes”. Turner Classic Movies. Truy cập ngày 9 tháng 1 năm 2012. 
  248. ^ “The Exorcist”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  249. ^ Stanley, Robert Henry; Steinberg, Charles Side (1976). The media environment: mass communications in American society. Hastings House. tr. 76. ISBN 9780803846814. “...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.” 
  250. ^ New York 8, New York Media, 1975, “...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at Google Books)” 
  251. ^ Block & Wilson 2010, tr. 560. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)."
  252. ^ Hall & Neale 2010, tr. 206–208. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign."
  253. ^ Brooks, Mel (2004). “My Movies: The Collisions of Art and Money”. Trong Squire, Jason E. The movie business book (ấn bản 3). Simon and Schuster. ISBN 978-0-7432-1937-2. “To their credit, Blazing saddles, opened wide in June to tremendous business around the country. It's done over $80 million in rentals worldwide in 1974 dollars. (Online copy at Google Books)” 
  254. ^ Block & Wilson 2010, tr. 564. "Production Cost: $2.6 (Unadjusted $s in Millions of $s)."
  255. ^ “Jaws”. Boxoffice. Truy cập ngày 23 tháng 6 năm 2013. 
  256. ^ Lỗi chú thích: Thẻ <ref> sai; không có nội dung trong thẻ ref có tên jaws
  257. ^ Priggé, Steven (2004). Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Company. tr. 8. ISBN 9780786419296. “The budget for the first Jaws was $4 million and the picture wound up costing $9 million.” 
  258. ^ Hall & Neale 2010, tr. 214. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide."
  259. ^ Block, Alex Ben (2010), Rocky, tr. 583, “The budget was $1,075,000 plus producer's fees of $100,000.”  In: Block & Wilson 2010.
  260. ^ “Star Wars (1977)”. Box Office Mojo. Truy cập ngày 10 tháng 1 năm 2012. 
  261. ^ Hall & Neale 2010, tr. 218. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977."
  262. ^ “Grease”. Boxoffice. Truy cập ngày 24 tháng 6 năm 2013. 
  263. ^ Hofler, Robert (2010). Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'N' Roll Starring the Fabulous Allan Carr. ReadHowYouWant.com. tr. 145. ISBN 9781459600072. “Despite the fact that Grease was well on its way to becoming the highest-grossing movie musical in the world, and eventually grossed over $341 million...” 
  264. ^ a ă Kramer vs. Kramer
    • United & Babson Investment Report 72. Babson-United, Inc. 1980. tr. 262. “Columbia Pictures Industries is continuing to rake in the box office dollars from its Oscar-winning Kramer vs. Kramer, which has topped $100 million in domestic grosses and $70 million overseas. Kramer, which cost less than $8 million to make, is now the second...” 
    • Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980–1989. University of California Press. tr. 7. ISBN 978-0-520-23266-2. “Much of this was attributable to the performance of its hit film, Kramer vs. Kramer ($94 million worldwide and the number two film in the domestic market).” 
  265. ^ “Rocky II”. Boxoffice. Truy cập ngày 24 tháng 6 năm 2013. 
  266. ^ Kilday, Greg (22 tháng 5 năm 1992). “Rules of the Game”. Entertainment Weekly (119). Truy cập ngày 4 tháng 7 năm 2012. 
  267. ^ The Empire Strikes Back
  268. ^ a ă â Block & Wilson 2010, tr. 519.
    • The Empire Strikes Back: "Production Cost: $32.0 (Unadjusted $s in Millions of $s)."
    • Return of the Jedi: "Production Cost: $42.7 (Unadjusted $s in Millions of $s)."
    • The Phantom Menace: "Production Cost: $127.5 (Unadjusted $s in Millions of $s)."
  269. ^ Raiders of the Lost Ark
  270. ^ Block & Wilson 2010, tr. 609. "Steven Spielberg, by far the most successful director of the decade, had the highest-grossing movie with 1982's E.T.: The Extra-Terrestrial, which grossed over $664 million in worldwide box office on initial release."
  271. ^ Block & Wilson 2010, tr. 652. "Production Cost: $12.2 (Unadjusted $s in Millions of $s)."
  272. ^ Return of the Jedi
  273. ^ “Indiana Jones and the Temple of Doom (1984)”. Box Office Mojo. Truy cập ngày 12 tháng 2 năm 2013. 
  274. ^ a ă â b c d Finler 2003, tr. 190–191.
  275. ^ Block & Wilson 2010, tr. 664. "Production Cost: $28.2 (Unadjusted $s in Millions of $s)."
  276. ^ Back to the Future
  277. ^ Finler 2003, tr. 268. "The studio had a record operating income of $212 million in 1982, the year of Spielberg's E.T. The Extra-Terrestrial (which had cost only slightly over $10 million) and $150 million in 1985, mainly due to another Spielberg production, the $22 million Back to the Future, which became the top box office hit of the year."
  278. ^ “Top Gun”. Boxoffice. Truy cập ngày 15 tháng 9 năm 2013. 
  279. ^ McAdams, Frank (2010), Top Gun, tr. 678–679, “Production Cost: $19.0 (Millions of $s) ... Despite mixed reviews, it played in the top 10 for an extended period and was a huge hit, grossing almost $345 million in worldwide box office.”  In: Block & Wilson 2010.
  280. ^ Fatal Attraction
    • “Fatal Attraction”. Boxoffice. Truy cập ngày 15 tháng 9 năm 2013. 
    • Scott, Vernon (15 tháng 6 năm 1990). “'Three Men and Baby' Sequel Adds Cazenove to Original Cast”. The Daily Gazette (New York). Hollywood (UPI). tr. 9 (TV Plus – The Daily Gazette Supplement). “That legacy is the $167,780,960 domestic box-office and $75 million foreign gross achieved by the original...” 
  281. ^ “Rain Man”. Boxoffice. Truy cập ngày 15 tháng 9 năm 2013. 
  282. ^ Finler 2003, tr. 244. "Rain Man: 30.0 (cost in million $s)"
  283. ^ “Indiana Jones and the Last Crusade (1989)”. Box Office Mojo. Truy cập ngày 15 tháng 9 năm 2013. 
  284. ^ Block & Wilson 2010, tr. 694–695. "Production Cost: $55.4 (Unadjusted $s in Millions of $s) ... The film went on to haul in over $494 million worldwide."
  285. ^ “Ghost”. Boxoffice. Truy cập ngày 19 tháng 9 năm 2013. 
  286. ^ “Terminator 2: Judgment Day”. Boxoffice. Truy cập ngày 19 tháng 9 năm 2013. 
  287. ^ Ansen, David (8 tháng 7 năm 1991). “Conan The Humanitarian”. Newsweek. Truy cập ngày 19 tháng 9 năm 2013. 
  288. ^ “Aladdin”. Boxoffice. Truy cập ngày 20 tháng 9 năm 2013. 
  289. ^ Toy Story
  290. ^ Block & Wilson 2010, tr. 776. "Production Cost: $30.0 (Unadjusted $s in Millions of $s)"
  291. ^ “Die Hard: With A Vengeance”. Boxoffice. Truy cập ngày 20 tháng 9 năm 2013. 
  292. ^ Finler 2003, tr. 123.
  293. ^ “Armageddon”. Boxoffice. Truy cập ngày 20 tháng 9 năm 2013. 
  294. ^ Block & Wilson 2010, tr. 509. "Production Cost: $140.0 (Unadjusted $s in Millions of $s)."
  295. ^ “Mission: Impossible II”. Box Office Mojo. Truy cập ngày 6 tháng 1 năm 2012. 
  296. ^ Patten, D. (3 tháng 12 năm 2009). “'Avatar's' True Cost – and Consequences”. The Wrap. Bản gốc lưu trữ ngày 16 tháng 12 năm 2009. Truy cập ngày 12 tháng 12 năm 2009. 
  297. ^ Frankel, Daniel (17 tháng 11 năm 2010). “Get Ready for the Biggest 'Potter' Opening Yet”. The Wrap. Truy cập ngày 27 tháng 8 năm 2011. 
  298. ^ Lang, Brent (31 tháng 3 năm 2015). “‘Box Office: ‘Furious 7′ Racing Toward Record $115 Million Opening”. Variety. Truy cập ngày 12 tháng 4 năm 2015.