Khác biệt giữa bản sửa đổi của “Cố Viêm Võ”

Duyệt lịch sử tương tác

← Thay đổi trước Thay đổi sau →

Nội dung được xóa Nội dung được thêm vào

Trực quanMã wiki

Nội tuyến

Phiên bản lúc 23:01, ngày 14 tháng 5 năm 2020

Satyagraha

@@ Dòng 1: / Dòng 1: @@
+Satyagraha
-CASABLANCA EXAMPLE
-　　　These four throughlines are common in all complete stories. It is extremely important that you take the time to think about your story’s four throughlines.
-Viewpoint: Main Character (Rick) + Conflict: Fixed Attitude = Main Character Throughline (Rick)
-Rick has a fixed attitude toward life in general, and women in particular. He is content to hide out in Casablanca, avoiding commitment to anything -- particularly another woman who might hurt him the way Ilsa did.
-Viewpoint: Impact Character (Ilsa) + Conflict: A Situation = Impact Character Throughline (Ilsa)
-Ilsa’s predicament is that she’s committed to Laszlo, but in love with Rick. Rick has the only means to get Laszlo safely out of Casablanca, but he's not in a giving, or forgiving, mood.
-Viewpoint: Overall Story (All Characters) + Conflict: An Activity = Overall Story (All Characters)
-Casablanca is a seething hotbed of activity: Rick tries to peacefully run his nightclub; Renault chases petty crooks and beautiful women; refugees trade their valuables to buy exit visas and obtain letters of transit; Laszlo and Ilsa look for safe passage to America; Strasser works to prevent Laszlo from leaving town; Ugarte thieves and schemes; Ferrari trades on the black market; etc.
-Viewpoint: Main vs. Impact (Ilsa vs. Rick) + Conflict: Manipulation = Main vs. Impact Story (Ilsa vs. Rick)
-Rick, wounded by lisa’s betrayal, protects himself from being hurt again by hiding his emotions. By baring her own heart to him and trusting him with her future, Ilsa shows Rick that the gain is worth the pain, and he changes to a loving, giving person again.
-CASABLANCA’S 4 THROUGHLINES
-. Situation / IMPACT / Character Throughline
-Ilsa's predicament is that she’s committed to laszlo hut in love with Rick. Rick has the only means to get Laszlo safely out of Casablanca, but he’s not in a giving, or forgiving, mood.
-. Activity / OVERALL / Overall Throughline
-Casablanca is a seething hotbed of activity- Rick tries to peacefully run his nightclub; Renault chases petty crooks and beautiful women; refugees trade their valuables to buy exit visas and obtain letters of transit; Laszlo and Ilsa look for safe passage to America; Strasser works to prevent Laszlo from leaving town; Ugarte thieves and schemes; Ferrari trades on the black market; etc.
-. Manipulation / MAIN VS. IMPACT / Main vs. Impact Throughline
-Rick, wounded by Ilsa’s betrayal, protects himself from being hurt again by hiding his emotions. By baring her own heart to him and trusting him with her future, Ilsa shows Rick that the gain is worth the pain, and he changes to a loving, giving person again.
-. Fixed Attitude / MAIN / Character Throughline
-Rick has a fixed attitude toward life in general, and women in particular. He is content to hide out in Casablanca, avoiding commitment to any-thing -- particularly another woman who might hurt him the way Ilsa did.