Thành viên:NguoiDungKhongDinhDanh/Naruto Uzumaki/Creation and conception

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Khoảng những năm 1990, tác giả manga mới vào nghề Kishimoto Masashi định sáng tác một truyện one-shot về nhân vật chính – đầu bếp Naruto – nhưng chưa bao giờ thành hiện thực. Lúc đầu, Kishimoto muốn Naruto là một cậu bé có khả năng hoá cáo, nên ông viết một truyện one-shot, đặt tên là "Naruto", cho ấn bản hè năm 1997 của tạp chí Akamaru Jump, từ ý tưởng trên.[1] Khi so sánh Naruto và Karakuri, một tác phẩm khác của mình, Kishimoto nhận thấy nhân vật chính của Naruto cuốn hút hơn. Ông cho rằng nụ cười "chân thật" của Naruto rất hấp dẫn người đọc, tương phản hoàn toàn với vẻ ngoài tinh ranh của nhân vật chính trong Karakuri. Sau khi thành công với một one-shot khác, Mario, ông bắt đầu sáng tác loạt truyện Naruto, và tái sử dụng nhân vật trong one-shot trước kia làm nhân vật chính. Kishimoto viết trước hai chương đầu truyện để lấy ý kiến khán giả, rồi mới tập trung vào nhứng nhân vật chính khác, dù rất khó khăn. Bắt đầu từ chương thứ ba, các nhân vật chính khác, và những mối quan hệ Following the second chapter, Kishimoto introduced the other protagonists but as bad relationships including with Sasuke Uchiha and Naruto's constant reject crushes at Sakura Haruno. The manga story was planned to show Naruto's coming-of-age through multiple fights and looked forward to seeing the conclusion.[2]

During the 1990s, new manga author Masashi Kishimoto sought to write a one-shot chapter that would feature Naruto as a chef, but this version never made it to print. Kishimoto originally wanted to make Naruto a child who could transform into a fox, so he created a one-shot of Naruto for the summer 1997 issue of Akamaru Jump magazine based on the idea.[1] When comparing both the Naruto one-shot and his other work, Karakuri, Kishimoto realized that former's title character was more appealing than the lead of Karakuri. Kishimoto reflects Naruto's "honest" smile was well received in contrast to the sly look the main character from Karakuri had. Following the success of another one-shot, Mario, Kishimoto started working on the Naruto series where he wanted to reuse the title character from his earlier one-shot. Kishimoto wrote the first two chapters to show his appeal to the readers and then focus on the other protagonists despite difficulties. Following the second chapter, Kishimoto introduced the other protagonists but as bad relationships including with Sasuke Uchiha and Naruto's constant reject crushes at Sakura Haruno. The manga story was planned to show Naruto's coming-of-age through multiple fights and looked forward to seeing the conclusion.[3]

For the serialized version, Kishimoto incorporated traits he felt made an ideal hero in the creation of Naruto: a straightforward way of thinking, a mischievous side, and attributes possessed by Goku from the Dragon Ball franchise. Aiming to keep Naruto "simple and stupid",[4] Kishimoto avoided modeling him after anyone in particular, instead conceiving of him as naïve with a dark side resulting from his harsh past. Despite this, he is always optimistic, a trait Kishimoto said makes this character unique.[4] By and large, Naruto's personality is childish; the creator tried to convey this trait in his illustrations. Kishimoto notes as an example of this the cover of volume 10, where Kishimoto depicts Naruto mimicking a turtle as a child might do.[5] Naruto was Kishimoto's first published manga, and he focused on making Naruto's facial expressions consistent in difficult situations.[6] He commented: "It's rather awkward to talk about what makes Naruto appealing to audiences, but I think his being a knucklehead gives him an appeal." He believed it was Naruto's losses that made readers identify with him, although he wanted Naruto not to feel defeat again, which was his primary aim when writing the series.[7] Kishimoto has said that Naruto's burning desire to be a ninja was based on his own ambition to succeed as a manga artist.[8]

Development

After fans likened Naruto, Sasuke and Sakura to the three main characters from Harry Potter fantasy books, Kishimoto noted that both trios began their careers in a classroom, though he added that the similarity was unintentional.[8] During the series' publication, Kishimoto married and had children. This influenced how he viewed Naruto's character. Naruto met his parents, and learned of their sacrifices in order to help him to control the Fox inside him so that he could protect their world. As a result, Naruto appreciated his life more and learned that his parents loved him, something the author wanted the character to feel based on his own experience as a father.[9] In the first chapters of the series, Kishimoto did not conceive the idea that Naruto would be the son of Minato Namikaze. However, as time passed on, the manga author made touches to Minato's face shown in the Hokage Mountain in Konoha to make them more similar to Naruto with an emphasis on their spiky hairs. However, in order to reduce too many similarities, Kushina Uzumaki's character was made to look like Naruto's face.[10]

When first introducing Sasuke, Kishimoto wrote him as a rival who never noticed Naruto. However, as the series continued, Naruto became strong enough to finally be recognized by Sasuke as a rival. He also intended both as brothers due to the fact both characters suffered loneliness, something which made the readers relate to them as he noted through fan letters. By Part I's ending, the bond between Naruto and Sasuke was weakened as a result of their fight but still expected from the time when the Sasuke accepted Naruto as an equal.[1] Kishimoto compared Sasuke and Naruto to the concept of yin and yang because of their notable differences. When one of the two progressed, Kishimoto made sure the other did too.[11] During the climax of Part I, Naruto and Sasuke engage in a mortal fight which was directed by Atsushi Wakabayashi from Pierrot. In an interview, the director claimed that the animation was based on a journey to Lake Mashu from Hokkaido to come up with new ideas. Wakabayashi aimed for the characters to move stilted based on storyboards he made, leading to entertaining sequences. When Naruto becomes berserker due to the Nine-Tailed Demon Fox's influence, Norio Matsumoto aimed to make Naruto behave like a beast with Wakabayashi aiming to make Naruto look like an equal to his rival. The staff was inspired by the 1970s series like the boxing series Ashita no Joe, most notably its lead character, Joe Yabuki, who was often seen as an underdog the audience rooted for. However, the team still worked carefully to make the two ninjas be equals without overpowering each other.[12]

Before the serialization began, Kishimoto had decided the ending would feature a fight between Naruto and Sasuke.[13] He wanted the conflict to end with Naruto forgiving Sasuke as he had forgiven Nagato while also aiming it as their final battle in the manga.[14][1] In regards to the fight, Kishimoto wanted to focus on hand-to-hand combat rather than ninja techniques.[15] Anime staff Chengxi Huang said the animated adaptation of this fight, the group worked carefully to depict the action in every scene by showing changes on Sasuke and Naruto's clothes and hair. Huang added he felt fatigue by working so much into this fight due to reaching 70 successive cuts at a time.[16]

The final fight between Sasuke and Naruto was considered one biggest challenges by the staff from Pierrot as it took an entire month to adapt it from the manga. Director Hiroyuki Yamashita elected himself in charge of the battle which left most of the anime members relieved due to his experience. For the scenario, Pierrot received assistance from the CyberConnect2 develop who had already adapted this battle through the fighting game Naruto Shippuden: Ultimate Ninja Storm 4. There was a need to make every movement in the fight to look realistic, giving Sasuke scary look as well the hair movement in order to express the idea of both fighters willing to do anything to kill each other, which confused some due to Naruto's wish to avoid this fate. The final clash between Sasuke's Chidori and Naruto's Rasengan moves involved references from other scenes of the series to give the viewer a bigger emotional impact. The staff noted that following this fight, Sasuke's face became calmer despite his initial look, giving room to explore his redemption.[17]

Out of all the student-teacher relationships Kishimoto has created in the Naruto series, the one between Naruto and Jiraiya is his favorite.[18] Jiraiya's death in his fight against Pain for in his last moments, he discovers the origin of Pain's multiple bodies and uses his last forces to send that message as a piece of advice to Naruto so that Naruto could defeat him in his place.[1] This arc was the most difficult one to write; he felt this because Naruto, truly forgave his enemy. Instead of having the protagonist kill the enemy he hates as happens in other series, Kishimoto found the idea of the two characters interacting and settling their differences more challenging.[14] This had a major impact on the writer, and he decided to have Naruto forgive Sasuke during their final fight in a similar manner as he interacted with Nagato.[14] Kishimoto felt the need to create a story arc that would emphasize the tragedy of wars, leading to the final arc which would include a war. The principal reason for this was a significant difference between the two main characters, Naruto who had no knowledge of wars, and Sasuke who was a victim of one; his entire clan had been annihilated to avoid a potential civil war. As a result, Kishimoto created Nagato as a war victim who would Jiraiya, and act as Naruto's nemesis so he would understand the tragedy that Sasuke had experienced.[15] As a result, Naruto's coming-of-age would have been completed in this arc and the final arc where Naruto deals with world war and develops a vision of the shinobi world as well as how he should handle the conflict.[19]

In the original Japanese versions of Naruto, Naruto often ends his sentences with the addendum "-ttebayo" (which achieves an effect similar to ending a sentence with "you know?" in English). Kishimoto wanted to give Naruto a childlike catchphrase, and "dattebayo" came to mind; he believed that the phrase complements Naruto's character, and served as a verbal tic that portrayed him in a brattish manner.[20] Throughout the first episodes of the English dub version, "dattebayo" and "-ttebayo" were replaced with the phrase "Believe it!", both to mirror the effect, and to match the character's lip movements, although later in the English dub Naruto stopped saying "Believe it" and the phrase was replaced with "You Know?".[21]

Maturation

Naruto Uzumaki in his young adult design
Naruto as a young adult. His red scarf created by Hinata Hyuga is a reference to Masashi Kishimoto's wife.

Naruto's romantic partner was decided during the early stages of the manga. Since Hinata Hyuga always respected Naruto, even before the series' beginning, even before his academy mentor Iruka Umino, Kishimoto felt they were meant to be. This angered his wife who wanted Naruto to marry Sakura Haruno.[14] When Sakura was introduced, Kishimoto did not think of her as Naruto's future wife, as he saw them as being just friends and teammates, although once Hinata had appeared, the author thought of forming a love triangle between the three characters. He later regretted the love triangle as he considered Naruto a fighting series with little focus on romance, and he reiterated that "it was all about Naruto and Hinata getting married from an early stage."[22][23]

When seeing the staff's work to focus a film on Naruto's relationship with Hinata, The Last: Naruto the Movie, Kishimoto decided to oversee the project.[8] Nevertheless, he enjoyed seeing Naruto and Hinata's romantical scenes he did not write. In regards to Naruto's rank which remains as the lowest one, Genin, due to Naruto spending most of his Part II's time fighting and training, Kishimoto decided Naruto would skip the following ranks to become the Hokage, which he felt was appealing.[24] In the making of The Last: Naruto the Movie, Hinata makes a red scarf for Naruto. This was based on how Kishimoto's wife actually once did which brought laughs to the staff developing the film.[25]

Screenwriter Maruo Kyozuka said that he wanted to depict a love triangle between Naruto, Hinata and Toneri Otsutsuki in the film. Although Naruto is initially clueless about Hinata's feelings for him, during the film he begins to acknowledge and respond to them. Hinata's character was also developed in the film, with Kyozuka saying that she had to put aside her feelings for Naruto to accept Toneri's proposal so she could find Hanabi. During this scene, Kyozuka wanted to depict Naruto at his lowest after his rejection by Hinata. He then returned Naruto to his brave self, with the character resolving to continue his mission regardless of the cost.[26] Animator Chengxi Huang behind multiple Naruto series took a liking to this couple ever since he started working in Naruto Shippuden, often aiming to draw scenes of the two and most notably a scene from the final arc when Hinata slaps Naruto to calm him following the death of Neji Hyuga.[27] In the making of the film, he thanked Kishimoto for accepting to do The Last where the couple was explored furthermore.[28] He looked at their adult selves as an appealing married couple but had to remove a video he made that received backlash for being inappropriate for the demographic.[29]

In 2013, when Naruto was reaching its climax, Kishimoto envisioned the idea of Naruto becoming a father. This resulted in the creation of Boruto Uzumaki, Naruto and Hinata's first child.[30] Kishimoto wanted Boruto to act like his father, but at the same time, have differences between each other. Despite not wishing to reveal much about Boruto due to developments of Boruto: Naruto Next Generations, he added that Boruto is not as direct as Naruto.[31] In the 2015 film Boruto: Naruto the Movie, Kishimoto developed Boruto and Naruto's relationship from his relationship with his sons.[32] He wanted the film to depict the father and son relationship between Boruto and Naruto.[30] Similarly, Chengxi Huang wanted to properly display Naruto's facial expression during this scene as stating that while Naruto has grown up ever since his introduction, his gentle smile was the same.[33]

Kishimoto identified Naruto's fights alongside Sasuke against Momoshiki as the highlights of the film and asked that the film's staff pay close attention to those sequences. Two other scenes written by the staff which surprised Kishimoto were Sasuke's combination of his Susanoo technique and Naruto's recreation of the Nine-Tailed Fox.[34][35] Manga author Mikio Ikemoto claimed the scene in which Naruto helps his son to create a large Rasengan was his favorite at the time of drawing Boruto as across this moment he had to draw Naruto's past to the point he "felt the weight of NARUTO series and its long history behind it."[36]

Design

Naruto Uzumaki in his regular orange jumpsuit doing a handsign
Original sketch for Naruto in Kishimoto's one-shot, Naruto (1997), which went through several alterations for the manga series due to its amount of detail

Although a real ninja wears blue to be inconspicuous, Kishimoto gave Naruto an orange jumpsuit to fit the shōnen genre.[14] His wardrobe is based on clothing that Kishimoto wore when he was younger. According to him, a pre-existing design would not have made Naruto unique, whereas something original would have made him too distinctive.[20] Because Naruto is associated with spirals in terms of objects he uses, the designer incorporated swirl patterns into the costume.[37] Initial illustrations depicted Naruto in boots, but Kishimoto replaced these with sandals, because he enjoys drawing toes.[38] The goggles Naruto used to wear were replaced with a hitai-ite, or shinobi headband, because they were too time-consuming to draw.[39] One of the most difficult design choices was the color palette of Naruto's outfit.[40] The orange in his costume makes Naruto pop and the blue parts are complementary.[41] Kishimoto apologized to the anime staff for Naruto's design, as he considered it too difficult to animate.[40]

Kishimoto was satisfied with his character having blond hair and blue eyes, something rarely seen in Japanese anime or manga. This also appealed to an international readership, something the editor of the American magazine Shonen Jump has noted.[42] Of all his series' characters, Kishimoto most identified with Naruto.[42] When asked why Naruto's favorite food was ramen instead of kitsune udon, Kishimoto said that he himself likes eating ramen.[42][43] In the Naruto: Clash of Ninja video game series, Naruto is playable in various stages of the Demon Fox's manifestation, characterized by a red chakra. Kishimoto took inspiration from the games' presentation of these forms, imitating one of them for the manga cover of volume 26.[44]

When designing Naruto for his Part II appearance, Kishimoto changed his character's clothing to an orange and black top, orange pants, and black sandals.[45] He also gave him a red cape with black flames at the bottom when fighting Pain, a member of the Akatsuki.[46] He drew Naruto's forehead-protector wider to make his eyebrows easier to draw, something that had bothered him with his previous design. He also noted that Naruto's pants made the character look too childish. To remedy this, Kishimoto designed them to roll up, giving him a more mature appearance.[47] He gave Naruto this look in order to make him stand out during action scenes.[15]

For the events of the film The Last: Naruto the Movie (2014) as well as the final episodes of Naruto: Shippuden, Naruto was given a young adult appearance. His hair was made shorter, while his height was expanded notably in contrast to his Part II design. He was given two different outfits, a casual look consisting of an orange shirt as well as a design consisting of a black shirt with orange pants specifically meant for his missions. Due to his growth, Naruto wears a different headband, while his new ninja appearance was created with the purpose of being able to carry weapons more easily. Nevertheless, both looks keep the character's spiralling logo that was carried from his late mother's gone group, the Uzumaki clan.[48]

Voice actors

Junko Takeuchi holding two peace signs while smiling
Maile Flanagan speaking into a microphone
Junko Takeuchi (left) and Maile Flanagan (right) voiced Naruto Uzumaki in the anime's Japanese and English versions, respectively.

Although a male voice actor was sought for the Japanese adaptation of the Naruto role, the actress Junko Takeuchi was chosen instead over many male applicants.[49] Before recording the first episode, Takeuchi noticed several lines from the script that ended with exclamation marks, which helped her to define Naruto's voice. She noted difficulties in transitioning from the young Naruto to the older Naruto in the animated adaptation of Part II. She had to record the first episode of Part II when Naruto's character was older and more mature only one week after voicing the younger, immature character.[50][51] Nine years after first voicing the character, while still finding it tough to voice Naruto, Takeuchi's opinion of him changed with her feeling he was "a very reliable young man."[52] She admired his ability to prioritize and calmly make important decisions, and believes these traits will inspire viewers worldwide.[52]

In regards to Naruto's growth Takeuchi was happy with the story and had hoped that Naruto would end up in a relationship with Hinata. Takeuchi was reminded of Naruto's late godfather, Jiraiya, when she read the script. She thought that although Naruto's declaration of love was the most important part of the character's growth, his true nature had not changed at that point. Satisfied with the story, Takeuchi thought that the audience would agree with her view.[53] For the film Boruto: Naruto the Movie, Takeuchi was surprised with how Naruto has grown up ever since she first voiced him, not only in the idea of age or new job but also the fact that he has become a father. As a result, she befriended Yūko Sanpei, voice actress behind Boruto. Takeuchi felt the writing for the adult Naruto was different from his younger days as his mannerism had changed too, joking that she never saw such growth in the story when first voicing him. As a result, she mentions having had some inner complications with how she should show the character's growth.[54]

The producers of the English version of the anime stated that Naruto was the most difficult character to cast, adding that Maile Flanagan "has Naruto down, from the mischievous side, that precocious 12-year-old we learn to love, to the serious side."[55] Flanagan avoided listening to Junko Takeuchi's performance as she did not want to imitate it, stating she wanted to develop her own voice for the character.[56] Her performance has been praised as showing Naruto's brashness and later growth in confidence.[57] In a 2014 interview, Flanagan claimed she had never heard of Naruto before her audition. She looked the show up after being chosen and felt the release of the English dub would be popular. She is recognized more for her work voicing Naruto than from other roles she has done in her career, although some fans did not expect that Naruto would be voiced by a woman.[58] Flanagan and Amanda C. Miller (Boruto) found the two family members similar in nature despite having different backgrounds. Flanagan was surprised by how her character changed across the years but felt he was still the same for her, finding challenging to voice Naruto again when coming back to voice the younger Naruto. In regards to the change of tone, Flanagan was surprised by the fact that the dubbers did not replace her despite Naruto's age but felt it was something common in Japanese series.[59]

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